This gentle interpretation of the birth of Jesus connected to some of his most important words has its own calm, quiet...

NATIVITY

Newbery Medalist Rylant offers a succinct, graceful account of the birth of Jesus and some of his most famous words as an adult preaching to others.

The cover shows three shepherds and one sheep, and the story actually begins on the cover flap with an extension of the cover illustration and just three words, “A child is born.” The simple text is adapted from the books of Matthew and Luke from the King James Bible, retaining the traditional flavor and old-fashioned textual cadences. The angels visit the shepherds, and the shepherds visit Mary, Joseph, and Jesus in the stable, but the Wise Men are not included in this interpretation. The story shifts to Jesus as a grown man, preaching the Sermon on the Mount “before a great multitude of people.” Four of the Beatitudes are recounted, concluding with a simple house decorated for Christmas and two sheep next to a snow-covered evergreen tree. Rylant’s understated illustrations in her refreshing, naïve style sometimes look like finger paintings and often portray just a suggestion of words from the text. The backgrounds of the double-page spreads are in bold, deep colors, with the figures intentionally small and their faces hidden.

This gentle interpretation of the birth of Jesus connected to some of his most important words has its own calm, quiet strength. (Picture book/religion. 4-8)

Pub Date: Sept. 19, 2017

ISBN: 978-1-4814-7041-4

Page Count: 40

Publisher: Beach Lane/Simon & Schuster

Review Posted Online: Aug. 21, 2017

Kirkus Reviews Issue: Sept. 1, 2017

Did you like this book?

No Comments Yet

Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among

PETE THE CAT'S 12 GROOVY DAYS OF CHRISTMAS

Pete, the cat who couldn’t care less, celebrates Christmas with his inimitable lassitude.

If it weren’t part of the title and repeated on every other page, readers unfamiliar with Pete’s shtick might have a hard time arriving at “groovy” to describe his Christmas celebration, as the expressionless cat displays not a hint of groove in Dean’s now-trademark illustrations. Nor does Pete have a great sense of scansion: “On the first day of Christmas, / Pete gave to me… / A road trip to the sea. / GROOVY!” The cat is shown at the wheel of a yellow microbus strung with garland and lights and with a star-topped tree tied to its roof. On the second day of Christmas Pete gives “me” (here depicted as a gray squirrel who gets on the bus) “2 fuzzy gloves, and a road trip to the sea. / GROOVY!” On the third day, he gives “me” (now a white cat who joins Pete and the squirrel) “3 yummy cupcakes,” etc. The “me” mentioned in the lyrics changes from day to day and gift to gift, with “4 far-out surfboards” (a frog), “5 onion rings” (crocodile), and “6 skateboards rolling” (a yellow bird that shares its skateboards with the white cat, the squirrel, the frog, and the crocodile while Pete drives on). Gifts and animals pile on until the microbus finally arrives at the seaside and readers are told yet again that it’s all “GROOVY!”

Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among . (Picture book. 4-8)

Pub Date: Sept. 18, 2018

ISBN: 978-0-06-267527-9

Page Count: 48

Publisher: Harper/HarperCollins

Review Posted Online: Aug. 20, 2018

Kirkus Reviews Issue: Sept. 1, 2018

Did you like this book?

No Comments Yet

As ephemeral as a valentine.

LOVE FROM THE CRAYONS

Daywalt and Jeffers’ wandering crayons explore love.

Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.

As ephemeral as a valentine. (Picture book. 4-6)

Pub Date: Dec. 24, 2019

ISBN: 978-1-5247-9268-8

Page Count: 32

Publisher: Penguin Workshop

Review Posted Online: Feb. 2, 2021

Did you like this book?

No Comments Yet
more