This wintry triptych of Poppleton tales is all readers have come to expect from Rylant’s (Little Whistle’s Dinner Party, above, etc.) worthy pig: dry humor, natty friendships, and doings that kids can relate to. In the first story, Poppleton’s impressive display of icicles on his house, of which he is justly proud (though neighbors and family counsel him to remove them), is knocked to the ground by a wayward finch. The finch, Patrick by name, apologizes, then, seeing that Poppleton is a bit distraught, suggests Poppleton do something with them. They build a picket fence, and camaraderie. Next, since “winter always made Poppleton creative,” he decides to make a bust of Cherry Sue’s head. As he toils away, he must make frequent trips to Cherry Sue’s house to take a good look at her hair—and her eyes and her nose. Finally Cherry Sue has had enough and she tweaks Poppleton’s snout. Taken aback, he explains his harassment and Cherry Sue comes for a sitting. She even gives his nose a peck. Lastly, he’s disappointed when all his pals can’t go for a sleigh ride. Compounding the misery, they are all busy making delicious foods that he wishes he were eating. Then surprise, they descend upon Poppleton to celebrate his birthday (he’d forgotten). They even get to go for a midnight sleigh ride. All’s well in Poppleton’s world, a place in which kids will be happy to tarry (and so encourage beginning readers). Teague’s (Horus’s Horrible Day, p. 862, etc.) jovial, scrubbed artwork has Poppleton written all over it, especially when capturing Cherry Sue at her most indignant. (Easy reader. 3-8)
Pub Date: Oct. 1, 2001
ISBN: 0-590-84837-2
Page Count: 56
Publisher: Blue Sky/Scholastic
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 2001
Continuing to find inspiration in the work of Virginia Lee Burton, Munro Leaf and other illustrators of the past, Long (The Little Engine That Could, 2005) offers an aw-shucks friendship tale that features a small but hardworking tractor (“putt puff puttedy chuff”) with a Little Toot–style face and a big-eared young descendant of Ferdinand the bull who gets stuck in deep, gooey mud. After the big new yellow tractor, crowds of overalls-clad locals and a red fire engine all fail to pull her out, the little tractor (who had been left behind the barn to rust after the arrival of the new tractor) comes putt-puff-puttedy-chuff-ing down the hill to entice his terrified bovine buddy successfully back to dry ground. Short on internal logic but long on creamy scenes of calf and tractor either gamboling energetically with a gaggle of McCloskey-like geese through neutral-toned fields or resting peacefully in the shade of a gnarled tree (apple, not cork), the episode will certainly draw nostalgic adults. Considering the author’s track record and influences, it may find a welcome from younger audiences too. (Picture book. 5-8)
Pub Date: Sept. 1, 2009
ISBN: 978-0-399-25248-8
Page Count: 40
Publisher: Philomel
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2009
SEEN & HEARD
Halloween is used merely as a backdrop; better holiday titles for young readers are available.
A ghost learns to appreciate his differences.
The little ghost protagonist of this title is unusual. He’s a quilt, not a lightweight sheet like his parents and friends. He dislikes being different despite his mom’s reassurance that his ancestors also had unconventional appearances. Halloween makes the little ghost happy, though. He decides to watch trick-or-treaters by draping over a porch chair—but lands on a porch rail instead. A mom accompanying her daughter picks him up, wraps him around her chilly daughter, and brings him home with them! The family likes his looks and comforting warmth, and the little ghost immediately feels better about himself. As soon as he’s able to, he flies out through the chimney and muses happily that this adventure happened only due to his being a quilt. This odd but gently told story conveys the importance of self-respect and acceptance of one’s uniqueness. The delivery of this positive message has something of a heavy-handed feel and is rushed besides. It also isn’t entirely logical: The protagonist could have been a different type of covering; a blanket, for instance, might have enjoyed an identical experience. The soft, pleasing illustrations’ palette of tans, grays, white, black, some touches of color, and, occasionally, white text against black backgrounds suggest isolation, such as the ghost feels about himself. Most humans, including the trick-or-treating mom and daughter, have beige skin. (This book was reviewed digitally with 11-by-16.6-inch double-page spreads viewed at 66.2% of actual size.)
Halloween is used merely as a backdrop; better holiday titles for young readers are available. (Picture book. 4-7)Pub Date: Sept. 1, 2020
ISBN: 978-0-7352-6447-2
Page Count: 48
Publisher: Tundra Books
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
BOOK REVIEW
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