Victor's hardcover debut—a contemporary romance that probes the powerful bonds between mother and daughter, despite a fate that seems to have forced them forever apart. A childhood bout with polio leaves Kailey Davids with a slight limp and a permanent sense of being different, so that despite her good looks and adoring parents, she remains a loner. Then she meets the handsome, smooth-talking Cameron Hawkes. Kailey is too naive to realize that Cameron is after the business and social connections he thinks her affluent parents can provide; but soon after their marriage, his indifference to her and their infant daughter are revealed. Far worse, though, is Kailey's discovery that his unscrupulous business practices are responsible for a child's death. When she tries to leave him, she's followed by two of his henchmen, who have instructions to kill her. But though her car is pushed over the edge of a cliff, a young au pair, and not Kailey, is the one to die. And unbeknownst to anyone, their little daughter is also a survivor, first left in an orphanage and then raised in foster homes. For the next 25 years, Kailey inwardly mourns the death of her child. And for the next 25 years, that child—now called Susannah Holland—grows into a woman who never stops longing to find her real parents. When the two meet (Susannah is now a photographer assigned to take pictures of the Cambodian refugees whose cause Kailey devotes herself to), they are drawn to each other instantly, though neither has an idea of their real relationship. It's Cameron who'll put together the pieces of the puzzle; when he does, he flies to Thailand immediately.... Well-paced and readable for devotees of the genre.
Pub Date: May 1, 1992
ISBN: 0-670-83884-5
Page Count: 416
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 1992
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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