by Cynthia Voigt ‧ RELEASE DATE: Sept. 9, 1983
This is the story of Jeff Greene, the guitar-playing high school boy Dicey Tillerman meets in Dicey's Song (1982)—but the connection isn't made until near the end. The story begins, matter-of-factly but with Kramer vs. Kramer pathos, when Jeff at seven finds his mother Melody's note explaining that she loves him but had to leave him to help the world's less fortunate and "make things better." Jeff is left with his stiff, expressionless father, "The Professor," who withdraws to his study (while Jeff, that first night, gets dinner) and appears unaware of his son—doing poorly at school, friendless, and a few years later, ill with pneumonia and an overlooked 104° fever. (This event shocks the father into a first, abstracted look.) The summer Jeff turns 12, his mother invites him to stay with her at her grandmother's house in Charleston; and though he doesn't see much of her he is overcome with love—cherishing her memory through the year, writing monthly unanswered letters, and buying a cheap used guitar because she had played one. There is a touching scene on Christmas when his father, who has grown a shade more attentive—thanks partly to the admonishment of his new friend Brother Thomas—presents Jeff with a superior guitar. Jeff must go to his father's study and convince him that it is just what he would have chosen. ("I'm sorry. I don't mean to be—emotional at you—I just—I just like it so much," says Jeff; and his father answers, "Thank you for taking the trouble to make that clear.") The next summer Jeff returns to Charleston, but sees even less of his mother—she is off on long trips with her dreadful boyfriend—and goes home dangerously withdrawn. The healing process begins several months later with a move from Baltimore to a Chesapeake Bay cabin he and his father choose together. Jeff does well at his new school, makes some friends, meets Dicey, and hangs out with the Tillermans—and he and his father, still reserved, become closer and easier with each other. Melody will visit twice, in a devious play for the inheritance her grandmother has left to Jeff, but by now he has hardened; the second time he is able to feel sorry for her. Later Jeff resolves his mixed heritage by deciding to go into ecology: "No, not saving the world or getting back to the good old prehistoric days, not that," he tells his father. "But responsible management of it, somehow. . . with computers too. . . ." This doubly simplistic resolution is disappointing, and Voigt's lack of sympathy for Melody's postulated type is a problem from the start. However, Jeff's own feelings at every stage are compellingly real and affecting; the growing closeness between him and his father is moving and subtly developed; and his own emotional development and growing character (that old-fashioned term is the only word for it) brings out Voigt at her best, as well.
Pub Date: Sept. 9, 1983
ISBN: 0689863608
Page Count: 359
Publisher: Atheneum
Review Posted Online: Oct. 27, 2011
Kirkus Reviews Issue: Sept. 1, 1983
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by Lydia Gregovic ‧ RELEASE DATE: Sept. 3, 2024
A page-turner of a fantasy-horror debut from a promising new voice.
Something’s rotten in the province of Sussex.
Twelve families rule over the Smoke, a U.K.-inspired nation, where the citizens battle to maintain control against an encroaching fog that brings death and destruction in the form of monstrous Phantoms. When Silas Darling, Merrick’s father and Sussex’s Manor Lord, dies unexpectedly, Merrick must abandon her New London social season and return to her ancestral home, Norland House. Surrounded by her older sister, Essie (who’s set to inherit the title Merrick desires for herself), and cousins (who are concerned mostly with propriety), she struggles to find answers. When Sussex and the family’s seat are threatened by mysterious border breaches and attacks, Merrick enters into a tenuous alliance with sentry Killian Brandon to unravel a Gordian knot of family secrets. The measured pacing, combined with Merrick’s emotional arc, together create magnificent tension. The worldbuilding skews gothic, thanks to the creepy manor house and mist-infected landscapes that are befitting of a Brontë sisters novel—albeit with the addition of possessed corpses that consume human flesh. The gender politics of this world allow women to inherit titles and fight Phantoms, yet they have little agency to act on their own behalf without entering into advantageous, heteronormative marriages, an aspect of the fantasy world that readers may find confusing. Primary characters read white.
A page-turner of a fantasy-horror debut from a promising new voice. (guide to manors and ruling families) (Fantasy. 13-18)Pub Date: Sept. 3, 2024
ISBN: 9780593572375
Page Count: 400
Publisher: Delacorte
Review Posted Online: June 15, 2024
Kirkus Reviews Issue: July 15, 2024
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by David Yoon ‧ RELEASE DATE: Sept. 10, 2019
A deeply moving account of love in its many forms.
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A senior contends with first love and heartache in this spectacular debut.
Sensitive, smart Frank Li is under a lot of pressure. His Korean immigrant parents have toiled ceaselessly, running a convenience store in a mostly black and Latinx Southern California neighborhood, for their children’s futures. Frank’s older sister fulfilled their parents’ dreams—making it to Harvard—but when she married a black man, she was disowned. So when Frank falls in love with a white classmate, he concocts a scheme with Joy, the daughter of Korean American family friends, who is secretly seeing a Chinese American boy: Frank and Joy pretend to fall for each other while secretly sneaking around with their real dates. Through rich and complex characterization that rings completely true, the story highlights divisions within the Korean immigrant community and between communities of color in the U.S., cultural rifts separating immigrant parents and American-born teens, and the impact on high school peers of society’s entrenched biases. Yoon’s light hand with dialogue and deft use of illustrative anecdotes produce a story that illuminates weighty issues by putting a compassionate human face on struggles both universal and particular to certain identities. Frank’s best friend is black and his white girlfriend’s parents are vocal liberals; Yoon’s unpacking of the complexity of the racial dynamics at play is impressive—and notably, the novel succeeds equally well as pure romance.
A deeply moving account of love in its many forms. (Fiction. 14-adult)Pub Date: Sept. 10, 2019
ISBN: 978-1-984812-20-9
Page Count: 432
Publisher: Putnam
Review Posted Online: June 29, 2019
Kirkus Reviews Issue: July 15, 2019
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