A fast-paced, contemporary take on The Monkey Wrench Gang, blowing up digital infrastructure instead of dams.

VERSION ZERO

A trio of disgruntled coders, a reclusive genius, and a teenager attempt to take down the internet—the whole damned thing.

For his first adult novel, YA superstar Yoon draws on his decades in the tech industry to envision a takedown of the digital world so complete that paper comes back into fashion. The book’s main protagonist is Max Portillo, a Salvadoran American programmer for Wren, the world’s all-encompassing social media platform. Cal Peers, the company's CEO, invites Max to contribute to the Soul Project, an unabashedly evil plan to hoover up personal data that would guarantee higher market penetration. Max is horrified. Together with his best friend, Akiko Hosokawa, and her boyfriend, Shane Satow, Max envisions a global hack he dubs Version Zero, using anonymous personae to put a permanent dent in the web’s usability. “We broke it to fix it,” the anonymous hackers explain. Yoon never fully clarifies his version of the world, but there are breadcrumbs to follow—references to a Handmaid’s Tale–like social hierarchy that includes “whitemen” and “browns” and targets that include the world’s most influential companies, proxies for Facebook, Uber, Reddit, Amazon, and Apple. The mischief rises to another level when the three friends are approached by Pilot Markham, a wildly successful and equally withdrawn entrepreneur who believes the internet has left us emotionally bankrupt and who wants to help take their scheme to the next level with the help of his teenage neighbor, Brayden Turnipseed. Markham’s thirst for revenge was largely caused by his daughter’s untimely death by trolls, but he’s certainly as unhinged as his enemies. Digitally agile readers will recognize plenty of the ills of our time, and some will empathize with the counterintuitive way our heroes interpret the modern adage “Move fast and break things.”

A fast-paced, contemporary take on The Monkey Wrench Gang, blowing up digital infrastructure instead of dams.

Pub Date: May 25, 2021

ISBN: 978-0-593-19035-7

Page Count: 368

Publisher: Putnam

Review Posted Online: March 17, 2021

Kirkus Reviews Issue: April 1, 2021

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A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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DEVOLUTION

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z (2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 10, 2020

Kirkus Reviews Issue: March 1, 2020

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A smart summer escape.

PORTRAIT OF AN UNKNOWN WOMAN

Silva’s latest Gabriel Allon novel is a bit of a throwback—in the best possible way.

One-time assassin and legendary spymaster Gabriel Allon has finally retired. After saying farewell to his friends and colleagues in Israel, he moves with his wife, Chiara, and their two young children to a piano nobile overlooking Venice’s Grand Canal. His plan is to return to the workshop where he learned to restore paintings as an employee—but only after he spends several weeks recovering from the bullet wound that left him dead for several minutes in The Cellist (2021). Of course, no one expects Gabriel to entirely withdraw from the field, and, sure enough, a call from his friend and occasional asset Julian Isherwood sends him racing around the globe on the trail of art forgers who are willing to kill to protect their extremely lucrative enterprise. Silva provides plenty of thrills and, as usual, offers a glimpse into the lifestyles of the outrageously wealthy. In the early books in this series, it was Gabriel’s work as an art restorer that set him apart from other action heroes, and his return to that world is the most rewarding part of this installment. It is true that, at this point in his storied career, Gabriel has become a nearly mythic figure. And Silva is counting on a lot of love—and willing suspension of disbelief—when Gabriel whips up four old master canvases that fool the world’s leading art experts as a lure for the syndicate selling fake paintings. That said, as Silva explains in an author’s note, the art market is rife with secrecy, subterfuge, and wishful thinking, in no small part because it is almost entirely unregulated. And, if anyone can crank out a Titian, a Tintoretto, a Gentileschi, and a Veronese in a matter of days, it’s Gabriel Allon. The author’s longtime fans may breathe a sigh of relief that this entry is relatively free of politics and the pandemic is nowhere in sight.

A smart summer escape.

Pub Date: July 19, 2022

ISBN: 978-0-06-283485-0

Page Count: 448

Publisher: Harper

Review Posted Online: July 19, 2022

Kirkus Reviews Issue: Aug. 15, 2022

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