A dense, dizzying exploration of desire and the mystery of the self.
A woman works through the tangle of her life in this impressionistic follow-up to Inverno (2024).
“I had begun writing a long letter, a letter to a man with whom I was in love…” begins Caroline, the narrator of Zarin’s second brief novel. She’s middle-aged, lives in New York, is estranged from her husband, Frank, and is the mother of three children—George, Louie, and Pom. She’s writing to Lorenzo, an Italian man with whom she’s having an extended affair, who is himself a paramour to two other women. Caroline’s letter is the work of several months and not something she ever intends to send; rather, it is a way to parse her own feelings and uncover how she became “the person who might write such a letter, and behave in such a way, behavior of which I deeply disapprove.” In the pages that follow, she explores not only the highs and lows of her current romance, but a previous one with a man named Alastair (the focus of Inverno), a friendship with a man named Daniel who struggled with bipolar disorder, and her preoccupation with the disappearance of Michael Rockefeller in New Guinea in 1961. As readers wade into Caroline’s stream of consciousness, they are treated to stunningly precise bits of prose (“I am thinking that one day I will learn to live without the sound that you make in the back of your throat, that difficult h. A small thing”), but it is often hard to find one’s footing. The novel is thick with allusions and quotations—William Shakespeare, Lewis Carroll, Leonard Cohen, Greek myth—some with more sign-posting than others. Readers with considerable familiarity with the Western canon may find this literary sleuthing rewarding, while others may find the bar to entry frustratingly high.
A dense, dizzying exploration of desire and the mystery of the self.Pub Date: Nov. 4, 2025
ISBN: 9780374610166
Page Count: 144
Publisher: Farrar, Straus and Giroux
Review Posted Online: Sept. 13, 2025
Kirkus Reviews Issue: Oct. 15, 2025
BOOK REVIEW
BOOK REVIEW
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
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