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GRAVE SECRETS

A LEADING FORENSIC EXPERT REVEALS THE STARTLING TRUTH ABOUT O.J. SIMPSON, DAVID KORESH, VINCENT FOSTER, AND OTHER SENSATIONAL CASES

Wecht, a forensic pathologist and lawyer (Cause of Death, 1993), provides disappointingly little insight into some sensational trials and tragedies of recent years. Wecht is often called in as an expert when local coroners have trouble establishing a cause of death or when attorneys need a fresh take on the record of an autopsy. But rather than concentrate on the interpretive abilities that have made him professionally so well known, Wecht includes a curious amount of padding here and even, in one chapter, offers transcripts of television interviews he gave on a case. Equally disappointing is his approach to some of the famous cases on which he's been consulted. Wecht provides page after page of gelatinous information about the Simpson case, including much rehashing of familiar material; along the way, he shares his personal beliefs about the Holocaust and offers an apologia for Johnny Cochran's use of bodyguards supplied by the Nation of Islam. As for forensic insight, he states two ``startling truths'': O.J. may have done it, and the police may have planted evidence. As for the deaths of David Koresh and his followers in Waco, the murder of Black Panther Fred Hampton by Chicago police in 1969, the mysterious death of White House counsel Vincent Foster (it was, Wecht decides, a suicide), and the Beverly Hills Supper Club fire in Kentucky in 1977, in which over one hundred people died—the author's takes frequently seem terse or incomplete, rough drafts for a memoir rather than detailed records of investigations or explanations of forensic science. He concludes with a curiously indecisive take on the so-called ``alien autopsy'' film screened on television last year. A sloppy, dissatisfying work from an author who has done better. (8 pages b&w photos, not seen)

Pub Date: Oct. 21, 1996

ISBN: 0-525-93974-1

Page Count: 288

Publisher: Dutton

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 1996

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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