by Cyril Wecht with Mark Curriden with Benjamin Wecht ‧ RELEASE DATE: Oct. 21, 1996
Wecht, a forensic pathologist and lawyer (Cause of Death, 1993), provides disappointingly little insight into some sensational trials and tragedies of recent years. Wecht is often called in as an expert when local coroners have trouble establishing a cause of death or when attorneys need a fresh take on the record of an autopsy. But rather than concentrate on the interpretive abilities that have made him professionally so well known, Wecht includes a curious amount of padding here and even, in one chapter, offers transcripts of television interviews he gave on a case. Equally disappointing is his approach to some of the famous cases on which he's been consulted. Wecht provides page after page of gelatinous information about the Simpson case, including much rehashing of familiar material; along the way, he shares his personal beliefs about the Holocaust and offers an apologia for Johnny Cochran's use of bodyguards supplied by the Nation of Islam. As for forensic insight, he states two ``startling truths'': O.J. may have done it, and the police may have planted evidence. As for the deaths of David Koresh and his followers in Waco, the murder of Black Panther Fred Hampton by Chicago police in 1969, the mysterious death of White House counsel Vincent Foster (it was, Wecht decides, a suicide), and the Beverly Hills Supper Club fire in Kentucky in 1977, in which over one hundred people died—the author's takes frequently seem terse or incomplete, rough drafts for a memoir rather than detailed records of investigations or explanations of forensic science. He concludes with a curiously indecisive take on the so-called ``alien autopsy'' film screened on television last year. A sloppy, dissatisfying work from an author who has done better. (8 pages b&w photos, not seen)
Pub Date: Oct. 21, 1996
ISBN: 0-525-93974-1
Page Count: 288
Publisher: Dutton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1996
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by Cyril Wecht with Mark Curriden with Benjamin Wecht
by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
BOOK REVIEW
by Elie Wiesel ; translated by Marion Wiesel
by Ozzy Osbourne with Chris Ayres ‧ RELEASE DATE: Jan. 25, 2010
An autobiography as toxic and addictive as any drug its author has ever ingested.
The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.
Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.
An autobiography as toxic and addictive as any drug its author has ever ingested.Pub Date: Jan. 25, 2010
ISBN: 978-0-446-56989-7
Page Count: 320
Publisher: Grand Central Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2009
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