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A YEAR WITHOUT A NAME

A MEMOIR

Elegant, eloquent, and deeply personal.

A journalist and activist’s debut memoir about the fraught year preceding their decision to “correct my aberrated [gender] condition” and become a trans man.

Dunham knew from childhood that they were different. While their parents and friends “cherished me for being a little girl,” the author knew that they were “tricking” those people. Adolescence was an especially traumatic time. The author felt compelled to fit in with girls but also secretly desired them and dreamed of tying them up. Filled with self-loathing for being a “pervert,” Dunham deliberately tried to make their developing body disappear through starvation diets. As they grew into adulthood, they became increasingly aware of a misalignment between their body and their sense of who they were. This dysphoria created a “bodily claustrophobia” that made Dunham seek relief through painful relationships that never satisfied. The first was with a girl who told them that she wanted them to be “her best friend, her sister, her mother” but did not want them to be her lover. Another was with a lesbian woman who introduced Dunham to polyamory and an “existential dread” that wrought havoc with their sense of self. An especially intense relationship involved a bisexual woman who made Dunham feel that they were a “fiction” with no substance. Renewing acquaintance with a trans woman who had begun the journey toward physically manifesting femininity ultimately had the most profound effect on Dunham. That relationship forced them to not only confront the clearness of their existence and modes of desire. It also inspired Dunham to overcome a deep-seated fear of transforming their body to more closely match their complex inner identity. Candid and compassionate, this book offers a view of one person’s trans experience that defies categorization as much as it defies resolution.

Elegant, eloquent, and deeply personal.

Pub Date: Oct. 15, 2019

ISBN: 978-0-316-44496-5

Page Count: 176

Publisher: Little, Brown

Review Posted Online: July 27, 2019

Kirkus Reviews Issue: Aug. 15, 2019

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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