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LEGENDS OF MODERNITY

ESSAYS AND LETTERS FROM OCCUPIED POLAND 1942-43

Of interest to Milosz completists—and antimodernists.

Essays that anticipate themes that Polish-born Milosz would develop in The Captive Mind.

“When someone begins to admire totalitarianism, I look at him as if he’s a madman.” Thus the future holder of the Nobel Prize in Literature, at about the age of 30. Thoroughly schooled as a Catholic intellectual, Milosz had formulated an anti-modernist view of the world that opposed the individual to the state and presupposed that the individual would forever be adrift outside of the nurturing community of the church. The first essay in this collection, written in 1942, centers on Daniel Defoe’s Robinson Crusoe and a lawless world in which the hawk tears apart the bird (“that’s me,” he writes) and armies of ants clash. Crusoe’s island is less perilous to body and soul than modern times, though, and Milosz, sounding here like Solzhenitsyn and there like John Paul II, weighs in on the soullessness that permits a virus like Nazism or Stalinism to flourish. Blame it on the likes of Friedrich Nietzsche. And of the then-influential French writer André Gide, whose “depravity does not reside in his homosexuality . . . [but] on having draped a cloak of beauty around the most poisonous and destructive intellectual currents, which prepared a worldwide cataclysm.” And not just Gide, the former apologist for the Soviet regime, but also Marinetti, the Italian Futurist who “offended the public with his roars in honor of energy and brutality and called for the destruction of museums,” and all the other European nihilists who paved the way for the dictators. Denouncing the exuberant anti-intellectualism of the day, Milosz layers in learned references to Catholic thinkers who are little known except to students of theology today, quotes from authors and philosophers, and urges that the life of the mind is to be prized over the active life, even though the latter “is far more attractive to the masses.”

Of interest to Milosz completists—and antimodernists.

Pub Date: Oct. 12, 2005

ISBN: 0-374-18499-2

Page Count: 272

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 2005

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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