An intriguing but uneven war tale.
A young woman living in Nazi-occupied Paris gets reluctantly drawn into working for the Resistance in this World War II novel.
Marguerite Charbonneau is a peculiarly apolitical woman—not quite 24 years old, she lives in Paris in 1943 under the German occupation and has little interest in a war she angrily attributes to the stupidity of men. A brilliant student pursuing a research career in quantum mechanics, she considers herself a “purposeful, self-aware narcissist.” She agrees with Sartre that the world is objectively meaningless and the exercise of individual freedom is the only coherent response to an otherwise absurd existence. She even dates German Col. Erich von Hochstätten, a wealthy aristocrat with a wife and kids. But Jean-Baptiste Duval, an old boyfriend, works for the Resistance and convinces her to pass on information she might casually encounter. At first, she defiantly rejects any role in the war, but she stumbles on a plan—Operation Albatross—to lure the Allies into Paris and ambush them, destroying the city in the process. Richards deftly chronicles a predicament that is as emotional as it is political for Marguerite. She is caught between her feelings for Erich, who vigorously opposes the Nazis, and the more dashing Jean-Baptiste, who is as charming as he is exasperating, a confusion she expresses at one point: “How can I be in love with two men so different? Do I have a split personality? Jean-Baptiste is uninhibited (like me), full of mischief, sure of himself to a fault, and a realist. Erich is a realist too, but more cultured, honest, solid, dependable, in control of his emotions, and always thinking of what’s best for me.” The author vividly captures the volatility of Paris under the occupation. But the book sometimes reads like a farcical rendition of what is stereotypically French. The dialogue in particular is a rambling homage to this trope—long-winded, sweeping in scope, and littered with intellectual references, it is more overwrought than gripping. This is unfortunate because there is such a rich body of literature that came out of France during this period that readers should delight in the canon.
An intriguing but uneven war tale.Pub Date: N/A
ISBN: 978-0-9845410-6-5
Page Count: 332
Publisher: Aries Books
Review Posted Online: May 20, 2022
Review Program: Kirkus Indie
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
A vibrant tale of a remarkable woman.
Who was Shakespeare?
Move over, Earl of Oxford and Francis Bacon: There’s another contender for the true author of plays attributed to the bard of Stratford—Emilia Bassano, a clever, outspoken, educated woman who takes center stage in Picoult’s spirited novel. Of Italian heritage, from a family of court musicians, Emilia was a hidden Jew and the courtesan of a much older nobleman who vetted plays to be performed for Queen Elizabeth. She was well traveled—unlike Shakespeare, she visited Italy and Denmark, where, Picoult imagines, she may have met Rosencrantz and Guildenstern—and was familiar with court intrigue and English law. “Every gap in Shakespeare’s life or knowledge that has had to be explained away by scholars, she somehow fills,” Picoult writes. Encouraged by her lover, Emilia wrote plays and poetry, but 16th-century England was not ready for a female writer. Picoult interweaves Emilia’s story with that of her descendant Melina Green, an aspiring playwright, who encounters the same sexist barriers to making herself heard that Emilia faced. In alternating chapters, Picoult follows Melina’s frustrated efforts to get a play produced—a play about Emilia, who Melina is certain sold her work to Shakespeare. Melina’s play, By Any Other Name, “wasn’t meant to be a fiction; it was meant to be the resurrection of an erasure.” Picoult creates a richly detailed portrait of daily life in Elizabethan England, from sumptuous castles to seedy hovels. Melina’s story is less vivid: Where Emilia found support from the witty Christopher Marlowe, Melina has a fashion-loving gay roommate; where Emilia faces the ravages of repeated outbreaks of plague, for Melina, Covid-19 occurs largely offstage; where Emilia has a passionate affair with the adoring Earl of Southampton, Melina’s lover is an awkward New York Times theater critic. It’s Emilia’s story, and Picoult lovingly brings her to life.
A vibrant tale of a remarkable woman.Pub Date: Aug. 20, 2024
ISBN: 9780593497210
Page Count: 544
Publisher: Ballantine
Review Posted Online: June 15, 2024
Kirkus Reviews Issue: July 15, 2024
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