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VOLK

A thrilling detective story with a sprinkling of werewolves—who could ask for more, really?

Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT

A shape-shifter teams up with the FBI to take down a criminal organization.

Terri Watson is a hardworking and slightly harried agent for the FBI in Philadelphia, specializing in organized crime. Along with her partner, Marc Peterson, Terri has been investigating a ring of Russian mobsters led by Konstantin Kretzky. Concurrently, a series of murders have been committed in the city in which the victims appear to have been torn apart by wild dogs. While in pursuit of Dieter, a money launderer working with the Russian mob, Terri and Marc witness a beast attacking their perp and begin entertaining the idea of werewolves. Alex Stepanova, a local university professor, wakes in a lab after being experimented on by Russian scientists to discover she possesses the power of shape-shifting. Alex becomes a sort of vigilante werewolf, targeting “bad boys,” many of whom seem connected to the Russian mob as well. After Terri and Marc learn about Alex, the three team up and work together to bring down their targets. Werkmeister’s story is engaging, with a couple of surprising twists, the biggest being the inclusion of lycanthropy in a police procedural (the refreshing premise is sufficiently rooted in realism to feel believable). The prose is accessible—not too descriptive, but rather spare and direct—and the story is well paced. The characters are enjoyable, though Alex is undeniably the most intriguing; fleshing out the other players a bit more would be appreciated, but Terri and Marc are still engaging, particularly in their moments of humor (“I am not going to be Dana Scully to your Fox fucking Mulder, all right?”). The glimpses into their personal lives further endear them to readers. The ending, though satisfying, feels a tad abrupt and underwhelming. Still, Werkmeister’s unique premise, paired with a tried-and-true crime drama, makes for an enjoyable mad-scientist formula.

A thrilling detective story with a sprinkling of werewolves—who could ask for more, really?

Pub Date: Jan. 29, 2024

ISBN: N/A

Page Count: 269

Publisher: Self

Review Posted Online: Jan. 10, 2024

Kirkus Reviews Issue: March 1, 2024

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CLOSE TO DEATH

Gloriously artificial, improbable, and ingenious. Fans of both versions of Horowitz will rejoice.

What begins as a decorous whodunit set in a gated community on the River Thames turns out to be another metafictional romp for mystery writer Anthony Horowitz and his frequent collaborator, ex-DI Daniel Hawthorne.

Everyone in Riverview Close hates Giles Kenworthy, an entitled hedge fund manager who bought Riverview Lodge from chess grandmaster Adam Strauss when the failure of Adam’s chess-themed TV show forced him and his wife, Teri, to downsize to The Stables at the opposite end of the development. So the surprise when Kenworthy’s wife, retired air hostess Lynda, returns home from an evening out with her French teacher, Jean-François, to find her husband’s dead body is mainly restricted to the manner of his death: He’s been shot through the throat with an arrow. Suspects include—and seem to be limited to—Richmond GP Dr. Tom Beresford and his wife, jewelry designer Gemma; widowed ex-nuns May Winslow and Phyllis Moore; and retired barrister Andrew Pennington, whose name is one of many nods to Agatha Christie. Detective Superintendent Tariq Khan, feeling outside his element, calls in Hawthorne and his old friend John Dudley as consultants, and eventually the case is marked as solved. Five years later, Horowitz, needing to plot and write a new novel on short notice, asks Hawthorne if he can supply enough information about the case to serve as its basis, launching another prickly collaboration in which Hawthorne conceals as much as he reveals. To say more, as usual with this ultrabrainy series, would spoil the string of surprises the real-life author has planted like so many explosive devices.

Gloriously artificial, improbable, and ingenious. Fans of both versions of Horowitz will rejoice.

Pub Date: April 16, 2024

ISBN: 9780063305649

Page Count: 384

Publisher: Harper/HarperCollins

Review Posted Online: Jan. 20, 2024

Kirkus Reviews Issue: Feb. 15, 2024

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YOU'D LOOK BETTER AS A GHOST

Squeamish readers will find this isn’t their cup of tea.

Dexter meets Killing Eve in Wallace’s dark comic thriller debut.

While accepting condolences following her father’s funeral, 30-something narrator Claire receives an email saying that one of her paintings is a finalist for a prize. But her joy is short-circuited the next morning when she learns in a second apologetic note that the initial email had been sent to the wrong Claire. The sender, Lucas Kane, is “terribly, terribly sorry” for his mistake. Claire, torn between her anger and suicidal thoughts, has doubts about his sincerity and stalks him to a London pub, where his fate is sealed: “I stare at Lucas Kane in real life, and within moments I know. He doesn’t look sorry.” She dispatches and buries Lucas in her back garden, but this crime does not go unnoticed. Proud of her meticulous standards as a serial killer, Claire wonders if her grief for her father is making her reckless as she seeks to identify the blackmailer among the members of her weekly bereavement support group. The female serial killer as antihero is a growing subgenre (see Oyinkan Braithwaite’s My Sister, the Serial Killer, 2018), and Wallace’s sociopathic protagonist is a mordantly amusing addition; the tool she uses to interact with ordinary people while hiding her homicidal nature is especially sardonic: “Whenever I’m unsure of how I’m expected to respond, I use a cliché. Even if I’m not sure what it means, even if I use it incorrectly, no one ever seems to mind.” The well-written storyline tackles some tough subjects—dementia, elder abuse, and parental cruelty—but the convoluted plot starts to drag at the halfway point. Given the lack of empathy in Claire’s narration, most of the characters come across as not very likable, and the reader tires of her sneering contempt.

Squeamish readers will find this isn’t their cup of tea.

Pub Date: April 16, 2024

ISBN: 9780143136170

Page Count: 336

Publisher: Penguin

Review Posted Online: Feb. 3, 2024

Kirkus Reviews Issue: March 1, 2024

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