Krukowski’s writing is witty and generally accessible, though his detours into recording minutiae and avant-garde ideas...

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LISTENING AND RECONNECTING IN A DIGITAL WORLD

Wry exploration of the social meanings behind vintage and modern audio technologies.

Krukowski, a founding member of Galaxie 500 and recipient of fellowships from the Creative Capital/Andy Warhol Foundation and Harvard University’s Berkman-Klein Center for Internet and Society, comfortably discusses both rarefied aesthetic theories and gritty rocker realities. Arguing that the promise of constant digital progress as represented by Moore’s law has promoted acceptance of mediocrity, he notes, “you needn’t be an audiophile snob to conclude that today’s MP3 downloads, or their streaming counterparts, sound worse than 1965’s LPs—MP3s are designed to sound worse.” The book is less a study of older formats’ current popularity and more a survey of the struggles between permanence and ephemera, as well as artists’ visions and the consumer marketplace, playing out over decades of technological and industry changes. Krukowski turns the basic dichotomy of audio engineering, the ratio of signal to noise, into a complex metaphor for the loss of history and ingenuity represented by the replacement of analog recording and culture with digital media. He makes this argument via a discursive, in-depth structure in seven chapters labeled after phenomena obsessed over by audiophiles. In “Headspace,” he links so-called headphone records like Pink Floyd’s “Dark Side of the Moon” (and our current plugged-in public lives) to the disdain initially directed toward stereo recording: “stereo limits the perfect place for listening to a space big enough for only one at a time.” In “Proximity Effect,” Krukowski considers the vanished world of POTS, or “plain old telephone service.” By replacing a massive yet technologically simple network with smartphones, the nature of audible communication is changed, and “communicating distance itself becomes a challenge.” Elsewhere, the author considers the unintended consequences of digital innovation, from the “loudness wars” in studio engineering to the controversies around downloading: “is music free? That simple question provoked by Napster still seems unanswered.”

Krukowski’s writing is witty and generally accessible, though his detours into recording minutiae and avant-garde ideas about sound and art may lose some readers.

Pub Date: April 25, 2017

ISBN: 978-1-62097-197-0

Page Count: 224

Publisher: The New Press

Review Posted Online: Feb. 21, 2017

Kirkus Reviews Issue: March 1, 2017

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Loads of good explaining, with reminders, time and again, of how much remains unknown, neatly putting the death of science...

A SHORT HISTORY OF NEARLY EVERYTHING

Bryson (I'm a Stranger Here Myself, 1999, etc.), a man who knows how to track down an explanation and make it confess, asks the hard questions of science—e.g., how did things get to be the way they are?—and, when possible, provides answers.

As he once went about making English intelligible, Bryson now attempts the same with the great moments of science, both the ideas themselves and their genesis, to resounding success. Piqued by his own ignorance on these matters, he’s egged on even more so by the people who’ve figured out—or think they’ve figured out—such things as what is in the center of the Earth. So he goes exploring, in the library and in company with scientists at work today, to get a grip on a range of topics from subatomic particles to cosmology. The aim is to deliver reports on these subjects in terms anyone can understand, and for the most part, it works. The most difficult is the nonintuitive material—time as part of space, say, or proteins inventing themselves spontaneously, without direction—and the quantum leaps unusual minds have made: as J.B.S. Haldane once put it, “The universe is not only queerer than we suppose; it is queerer than we can suppose.” Mostly, though, Bryson renders clear the evolution of continental drift, atomic structure, singularity, the extinction of the dinosaur, and a mighty host of other subjects in self-contained chapters that can be taken at a bite, rather than read wholesale. He delivers the human-interest angle on the scientists, and he keeps the reader laughing and willing to forge ahead, even over their heads: the human body, for instance, harboring enough energy “to explode with the force of thirty very large hydrogen bombs, assuming you knew how to liberate it and really wished to make a point.”

Loads of good explaining, with reminders, time and again, of how much remains unknown, neatly putting the death of science into perspective.

Pub Date: May 6, 2003

ISBN: 0-7679-0817-1

Page Count: 304

Publisher: Broadway

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: April 1, 2003

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A tiny book, not much bigger than a pamphlet, with huge potential impact.

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NO ONE IS TOO SMALL TO MAKE A DIFFERENCE

A collection of articulate, forceful speeches made from September 2018 to September 2019 by the Swedish climate activist who was nominated for a Nobel Peace Prize.

Speaking in such venues as the European and British Parliaments, the French National Assembly, the Austrian World Summit, and the U.N. General Assembly, Thunberg has always been refreshingly—and necessarily—blunt in her demands for action from world leaders who refuse to address climate change. With clarity and unbridled passion, she presents her message that climate change is an emergency that must be addressed immediately, and she fills her speeches with punchy sound bites delivered in her characteristic pull-no-punches style: “I don’t want you to be hopeful. I want you to panic. I want you to feel the fear I feel every day. And then I want you to act.” In speech after speech, to persuade her listeners, she cites uncomfortable, even alarming statistics about global temperature rise and carbon dioxide emissions. Although this inevitably makes the text rather repetitive, the repetition itself has an impact, driving home her point so that no one can fail to understand its importance. Thunberg varies her style for different audiences. Sometimes it is the rousing “our house is on fire” approach; other times she speaks more quietly about herself and her hopes and her dreams. When addressing the U.S. Congress, she knowingly calls to mind the words and deeds of Martin Luther King Jr. and John F. Kennedy. The last speech in the book ends on a note that is both challenging and upbeat: “We are the change and change is coming.” The edition published in Britain earlier this year contained 11 speeches; this updated edition has 16, all worth reading.

A tiny book, not much bigger than a pamphlet, with huge potential impact.

Pub Date: Nov. 26, 2019

ISBN: 978-0-14-313356-8

Page Count: 112

Publisher: Penguin

Review Posted Online: Nov. 3, 2019

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