Some chapters are well-prepared entrees. The others? Send them back.
A comic describes his lifelong love affair with food.
“A good meal gives me more happiness than almost anything in life, including sex, money, and sex,” Ahdoot writes in this collection of humorous essays. Later, he adds, “I’m probably the best comedian in the country with a deep obsession with food, so that’s something, right?” Much of the narrative describes how he got that way. Unfortunately, the book is like a restaurant that can’t keep good chefs because the offerings vary wildly in quality. As the middle of three boys, Ahdoot was the only child in their Iranian Jewish household who shared his father’s love of fine cuisine, a passion his father maintained until the oldest son died of cancer. Ahdoot’s parents then turned to religion and frequented “subpar kosher immigrant eateries…with fluorescent lighting, sticky menus, and the smell of ferment.” Nonetheless, the author’s passion for food intensified and led to the adventures chronicled here: his time as an intern at the Spotted Pig, a high-end restaurant for the “culinary daredevil, someone who chewed first and asked questions later”; breaking up with an actor because he couldn’t deal with her dietary restrictions; his experiences hunting, which he describes in a sequence about an elk hunt, where he reveled “in opening the eyes of lifelong hunters to the joys of the discarded bits,” including “the animal’s ultimate delectable—the heart.” Essays about Ahdoot’s family are pleasurable, but the rest are superficial and rely on painful attempts at humor. A reader’s appreciation of this book will depend on reactions to lines like, “If the Nazis could get used to mass murder, I could get used to hunting.” Attempts at memorable food descriptions fall flat, as when the author notes a “magical saffron panna cotta that coated and comforted my tongue like a dairy cashmere sweater, leaving wisps of the Orient in its wake.” However, readers who enjoy pagelong accounts of messy bowel movements won’t be disappointed.
Some chapters are well-prepared entrees. The others? Send them back.Pub Date: March 21, 2023
ISBN: 9780593240793
Page Count: 240
Publisher: Crown
Review Posted Online: Nov. 21, 2022
Kirkus Reviews Issue: Dec. 15, 2022
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
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