Although the narrative is occasionally plodding, Baum’s history is incendiary, providing fuel for many a political fire.
An anecdotal history tracing the fortunes of the American brewing family known as much for its right-wing politics as for
its suds, written by former Wall Street Journal reporter Baum (Smoke and Mirrors, 1996). The founder of the Coors dynasty was Adolph Coors, who arrived in Colorado in 1873 and built a brewery in the foothills above Denver—thereby founding a town that now, Baum observes, feels like "a fragment of Hamtramck, Michigan, dropped amid spectacular Rocky Mountain wilderness." Adolph and his sons had strong feelings about the proper places of bosses and workers, and they made a name for themselves as sometimes beneficent but more often harsh owners who busted unions and relentlessly combed the ranks of their workers to weed out "thieves, radicals, and homosexuals." The Coors family was often innovative in business, introducing the aluminum beverage can into the American market, but Baum maintains that its elders made some bad calls, missing opportunities to capture a homegrown market in mineral water and refusing to pasteurize their beer to allow its sale outside the immediate region. Constantly mired in labor disputes and lawsuits, boycotted by unions and civil-rights groups, the Coors company nevertheless built a huge national market in the 1970s, helped along by Gerald Ford’s publicly admitted fondness for the company’s beer. Now publicly held, the Coors company has made efforts to present itself as politically mainstream by hiring more minority workers, but the changes have only gone so far. As Baum concludes, "Although bludgeoned into becoming more progressive within the walls of its brewery, the Coors family has chosen to remain committed on the national level to reversing the racial, sexual, environmental, and social revolutions of the twentieth century"—reason enough for millions of consumers to insist on boycotting (or buying) the Coors’s brew.
Although the narrative is occasionally plodding, Baum’s history is incendiary, providing fuel for many a political fire.Pub Date: April 1, 2000
ISBN: 0-688-15448-4
Page Count: 352
Publisher: Morrow/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 2000
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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