A laudable depiction of life within civil unrest and a proficient setup for the trilogy’s conclusion.
In this sequel, wedded bliss for an engaged couple on San Cristobal may be wrecked by a revolutionary group with aspirations of taking over the island.
Former New York executive-turned-philanthropist Robbie Beaufort has a new life in the Caribbean with his fiancee, Julianna Miranda. But lately the couple have been distant with each another. Julianna’s legally married to Pedro, comatose, and on a gastrostomy tube from an injury rendered during a hurricane. Robbie doesn’t want a wedding with Pedro still in the picture but he has qualms about taking him off the feeding tube, unsure whether the man would suffer. This postpones both the marriage and the big house Robbie promised, sparking rancor from Julianna and her young daughter, Alba, who hates admitting to her private academy friends that she lives in the slum. Things take a turn for the better when Julianna believes she’s pregnant with the couple’s first child. But trouble is also close by, evidenced by recurring black flags. Robbie doesn’t initially put much credence in rumors that the flags belong to the Sandinas, South American revolutionaries. Unfortunately, the group sees Robbie as a threat, with his charity work appeasing slum residents and reducing the number of recruits in a potential revolt. Carroll (Slum, 2016, etc.) aptly establishes the slum: it’s imperfect but populated by good people, while the Black Hell is the undeveloped and precarious section to avoid. Much of the plot (perhaps too much) focuses on Robbie obsessed with Pedro’s predicament, even flying in an expert to verify the patient won’t feel anything if doctors pull the feeding tube. The Sandinas, however, are a slowly building menace: short, intermittent perspectives from the group preface a more aggressive strike that leaves death and destruction in its wake. There are few signs of tangible romance between often bickering Robbie and Julianna. But it’s a struggle both realistic and endearing, as they’re fighting to keep everyone in their family together and safe.
A laudable depiction of life within civil unrest and a proficient setup for the trilogy’s conclusion.Pub Date: April 6, 2013
ISBN: 978-1-300-88798-0
Page Count: 342
Publisher: Vanity Press
Review Posted Online: May 31, 2017
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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