Fans of rap and dinos will enjoy this; others may want something with more story
Following series opener Rappy the Raptor (2015), Gutman and Bowers team up again to bring readers another chapter in Rappy’s life story: the first day of school.
The rapping dino is definitely nervous on the first day—about school supplies, about making friends, about whether the teacher will be kind or not. But despite nervousness (and the huge and terrifying-looking—in Rappy’s eyes—teacher), the rapping dino manages to use that talent to distract both a bully, Chris, and his victim, Aidan. But rapping won’t help Rappy to spell, and that’s the first lesson of the day. But luckily, Aidan comes to the rescue with some whispered letters, and suddenly Rappy can spell some words. It’s the start of a new friendship for them both. And Chris? Mrs. H. “said we shouldn’t make fun of others, / and if we did she’d tell our mothers. / Being a bully isn’t cool, / so she made Chris stay after school!” Gutman’s slight tale is quite similar to the first—right down to the very similar refrains—and the resolution is too pat to be believable. Still, it’s fun for a read-aloud (practice the rhythms first), and the bullying message goes down easily. Bowers’ digital dinos are full of personality, and readers will enjoy seeing the friendship between Rappy and Aidan develop.
Fans of rap and dinos will enjoy this; others may want something with more story . (Picture book. 4-8)Pub Date: June 21, 2016
ISBN: 978-0-06-229181-3
Page Count: 40
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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This kind but snarky, winningly honest story about being a square peg is sure to appeal to misfits and queen bees alike.
A bespectacled naked mole rat stays true to her awkward self.
By human standards, Zuill’s anthropomorphized naked mole rats are all pretty weird-looking: unsettlingly humanlike; pinkish-white but with beady little eyes, pronounced snoots, and vacant smiles. It seems that there are hierarchies even among naked mole rats, however, and Sweety is somewhere toward the bottom. With Coke-bottle glasses and headgear over her buck teeth, Sweety “could be intense”; she loves mycology and interpretive dance, and she has a hard time making friends with the more popular naked mole rats. Refreshingly, this story doesn’t follow a “Rudolph the Red-nosed Reindeer” plot, in which deviance is only acceptable if it’s useful to others, nor is anyone particularly unkind to the strange mole-girl. Sweety’s aunt Ruth informs her that “being different was one of the best things about her life, and that if you stayed true to yourself, you’d find your people.” Sweety thinks a little about how to be more popular and considers different attention-getting tricks to find her people, but at the end she decides to “continue to do her favorite things, and be herself.” Hilarious, slightly (and appropriately) off-putting pen-and-ink sketches (with an especially delightful spot of some goth adolescent mole rats) perfectly illustrate Sweety’s uniqueness.
This kind but snarky, winningly honest story about being a square peg is sure to appeal to misfits and queen bees alike. (Picture book. 4-8)Pub Date: March 26, 2019
ISBN: 978-0-525-58000-3
Page Count: 32
Publisher: Schwartz & Wade/Random
Review Posted Online: Oct. 27, 2018
Kirkus Reviews Issue: Nov. 15, 2018
A lovely homage to a child’s passionate creativity.
A summer day at the beach inspires Jamie to create something with bits and pieces in the sand.
Jamie is intensely involved, humming softly as the waves swish nearby. Several people, including Jamie’s mom and dad, make inane comments or ask what Jamie’s project is. Jamie answers abruptly and vaguely—or doesn’t answer at all. Jamie is totally comfortable there at the edge of the sea, working and observing and listening, and the sea never asks questions. When someone arrives with art supplies and no questions, it is Jamie who asks, “What are you making?” When the woman says she doesn’t know yet, Jamie has found a kindred spirit, and they work side by side without conversation. When their projects are complete, there is a lovely surprise at the reveal. Myers’ spare, almost terse, text is accompanied by acrylic-and-oil illustrations in full- and double-page spreads mixed with vignettes suspended against very bright white spaces. Sand and sea are beautifully rendered in subtle tones of gold and deep blue, and glimpses of Jamie’s project are intriguing. Jamie presents white, and the diverse people encountered are depicted in a manner that is at once realistic and painterly. Jamie’s body language and facial expressions allow readers to feel the child’s fierce dedication and exasperation at being interrupted.
A lovely homage to a child’s passionate creativity. (Picture book. 4-8)Pub Date: June 11, 2019
ISBN: 978-0-8234-4286-7
Page Count: 40
Publisher: Neal Porter/Holiday House
Review Posted Online: March 30, 2019
Kirkus Reviews Issue: April 15, 2019
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BOOK REVIEW
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