by Dan Harvey ‧ RELEASE DATE: N/A
An inspiring literary approach to the book of Revelation occasionally hampered by unwieldy dialogue.
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A Christian author explores a complicated biblical text.
“John’s Revelation is the most misunderstood book in the Bible,” writes Harvey, so much so that Martin Luther and early Protestant leaders openly questioned its inclusion in holy Scriptures. In the last few decades alone, the text of Revelation has spawned multiple Christian-themed novels and movies (including the bestselling, widely panned Left Behind series) and a host of nonfiction works obsessed with uncovering contemporary figures and events within the book of Revelation’s cryptic symbology of a forthcoming divine apocalypse and end times. What many of these often evangelical preachers and authors miss, argues Harvey, is that the book of Revelation is “not meant to be a complex puzzle itching to be solved” whose “step-by-step list of…secrets will be decoded in due season,” but is rather a distinctly first-century document that cannot be separated from its historic and literary context. Rather than proof-texting the ancient work through modern theologies and post-biblical events, this book’s interpretation of Revelation is based on three core principles: considering how first-century Christian readers would understand its symbolic imagery; a familiarity with the “long-lost literary genre” of apocalyptic literature common in Near Eastern and Mediterranean civilizations from 300 B.C.E. to 300 C.E.; and, finally, a firm grasp on the Hebrew Bible, which John alludes to hundreds of times. After laying this methodological groundwork, the book’s 24 main chapters chronologically follow the major passages of Revelation from its introduction and descriptions of the apocalypse through its triumphant conclusion describing a new world where light triumphs over darkness.
Many of these core chapters deploy a novel approach to literary analysis, featuring pseudo-conversations in contemporary colloquial English between author Harvey and John of Patmos, early Christians, Jews, and Roman authorities, who provide their first-century perspectives on Revelation’s passages. This stylistic choice reflects Harvey’s desire to provide lay readers with an accessible, engaging book that includes an ample assortment of illustrations. Each chapter also concludes with “Questions to Consider,” making the book an ideal read for church book clubs or small groups. And though targeting an audience beyond biblical scholars, its approachable writing style is accompanied by a bibliography that reflects a solid grasp of the Roman Empire and its history. In addition to its nuanced approach to Revelation, which is refreshing in a Christian genre often dominated by zany takes, is the author’s constant reminders about the ultimate message of Revelation. In the context of the Roman Empire, which defined strength through brute military power and state-enforced violence toward noncompliant groups (including early Christians such as Revelation’s author, who was exiled to Patmos), the book of Revelation points to a final victory coming through a crucified “lamb” that prevails through “self-giving, radically-forgiving sacrifice.” Thus, while modern readers may be obsessed with Revelation’s brutal descriptions of “dark forces,” first-century Christians would have seen a message of hope in the eventual nonviolent spiritual victory over a seemingly insurmountable imperial military force.
An inspiring literary approach to the book of Revelation occasionally hampered by unwieldy dialogue.Pub Date: N/A
ISBN: N/A
Page Count: 279
Publisher: Manuscript
Review Posted Online: Nov. 28, 2022
Review Program: Kirkus Indie
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by Timothy Paul Jones ‧ RELEASE DATE: Sept. 1, 2005
Worthwhile reference stuffed with facts and illustrations.
A compendium of charts, time lines, lists and illustrations to accompany study of the Bible.
This visually appealing resource provides a wide array of illustrative and textually concise references, beginning with three sets of charts covering the Bible as a whole, the Old Testament and the New Testament. These charts cover such topics as biblical weights and measures, feasts and holidays and the 12 disciples. Most of the charts use a variety of illustrative techniques to convey lessons and provide visual interest. A worthwhile example is “How We Got the Bible,” which provides a time line of translation history, comparisons of canons among faiths and portraits of important figures in biblical translation, such as Jerome and John Wycliffe. The book then presents a section of maps, followed by diagrams to conceptualize such structures as Noah’s Ark and Solomon’s Temple. Finally, a section on Christianity, cults and other religions describes key aspects of history and doctrine for certain Christian sects and other faith traditions. Overall, the authors take a traditionalist, conservative approach. For instance, they list Moses as the author of the Pentateuch (the first five books of the Hebrew Bible) without making mention of claims to the contrary. When comparing various Christian sects and world religions, the emphasis is on doctrine and orthodox theology. Some chapters, however, may not completely align with the needs of Catholic and Orthodox churches. But the authors’ leanings are muted enough and do not detract from the work’s usefulness. As a resource, it’s well organized, inviting and visually stimulating. Even the most seasoned reader will learn something while browsing.
Worthwhile reference stuffed with facts and illustrations.Pub Date: Sept. 1, 2005
ISBN: 978-1-5963-6022-8
Page Count: -
Publisher: N/A
Review Posted Online: May 23, 2010
Review Program: Kirkus Indie
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by Albert Camus ‧ RELEASE DATE: Sept. 26, 1955
This a book of earlier, philosophical essays concerned with the essential "absurdity" of life and the concept that- to overcome the strong tendency to suicide in every thoughtful man-one must accept life on its own terms with its values of revolt, liberty and passion. A dreary thesis- derived from and distorting the beliefs of the founders of existentialism, Jaspers, Heldegger and Kierkegaard, etc., the point of view seems peculiarly outmoded. It is based on the experience of war and the resistance, liberally laced with Andre Gide's excessive intellectualism. The younger existentialists such as Sartre and Camus, with their gift for the terse novel or intense drama, seem to have omitted from their philosophy all the deep religiosity which permeates the work of the great existentialist thinkers. This contributes to a basic lack of vitality in themselves, in these essays, and ten years after the war Camus seems unaware that the life force has healed old wounds... Largely for avant garde aesthetes and his special coterie.
Pub Date: Sept. 26, 1955
ISBN: 0679733736
Page Count: 228
Publisher: Knopf
Review Posted Online: Sept. 19, 2011
Kirkus Reviews Issue: Sept. 1, 1955
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