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HIS OWNSELF

A SEMI-MEMOIR

A good book for the reactionary on your gift list.

Acclaimed sportswriter and best-selling novelist Jenkins (The Franchise Babe, 2008) writes about golf, his upbringing and how "everything was better in the '30s."

The author credits his sheltered and untroubled upbringing (he brags that his childhood was untouched by the Great Depression or World War II) for his choice of career path: writing sports stories and "all those darn novels with happy endings." He strikes resonant chords with sports fans when he states, "A sports event is the true showbiz—it's real" and, "Every kid should have two big sports events in his life." A 1935 college football game and the 1941 U.S. Open golf championship created indelible memories and strengthened his bond with his largely absent father. However, Jenkins assumes readers will be familiar with many other severely dated references—e.g., actress Joan Fontaine (her film debut was in 1935), The Guns of Navarone (released in 1961) and Toots Shor's restaurant in Manhattan (shuttered in 1971). Throughout the book, the author is scornful of contemporary culture, expounding on "the folly of political correctness" and calling those who have objected to his opinions as among the "long lines of people in our midst who live in Victimhood." When he tells how college students stare uncomprehendingly when he shares his influences and books he enjoys rereading, he actually says, "Kids today." It's also surprising that a veteran sportswriter believes that Tiger Woods—the most prodigious, heralded and important professional golfer of the late 20th century, who brought multiracial and -cultural inclusion to professional golf, the exclusive province of WASPs for more than a century—doesn't measure up to Ben Hogan, Arnold Palmer or Jack Nicklaus. Such a narrow-minded view from a celebrated contributor to Golf Digest makes one wonder for what he is also nostalgic.

A good book for the reactionary on your gift list.

Pub Date: March 4, 2014

ISBN: 978-0-385-53225-9

Page Count: 288

Publisher: Doubleday

Review Posted Online: Dec. 21, 2013

Kirkus Reviews Issue: Jan. 1, 2014

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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