Kaufman's disdain for Walker and other hard-line conservatives is clear, but his research underlying the antipathy is solid...
A Wisconsin native who identifies as a progressive advocate contrasts the history of his state with the drastic changes during the past decade that have surprised politicians, journalists, academics, and countless voters.
As Kaufman reports, Wisconsin’s progressive ethos had been taken for granted over so many decades that it seemed entrenched not only within the Democratic Party, but also most segments of the Republican Party, as well. For example, a Republican governor and Republican-controlled legislature favored collective bargaining for state employees, and a different Republican governor created accessible health insurance for poverty-level families with children. The author marks the beginning of the shift away from widespread progressivism to 1976, when the U.S. Supreme Court outlawed limits on contributions to political candidates by individuals and groups. The money from anti–labor union forces and other self-identified right-wing radicals—many from outside Wisconsin—chipped away at historical progressivism. Early in the book, Kaufman identifies Scott Walker as the leading agent of change. Walker moved to Wisconsin in third grade, when his father became minister of a Baptist church in the town of Delavan. By the time he entered college at Marquette in Milwaukee, Walker aggressively advocated tax cuts for the wealthy and outlawing abortions. He never completed college, later proudly citing his lack of a degree. Walker entered electoral politics as a Republican state legislator, later choosing to seek, successfully, the top executive job in Milwaukee County. In 2009, when Walker’s anti-union fiscal cutbacks vaulted him into contention for governor, he won. Two years later, he survived an attempt to recall him from the governorship. As Kaufman focuses on Walker as governor, he advances the narrative by weaving in stories about avid Walker opponents from the shredded Democratic Party. Paul Ryan, Hillary Clinton, and other prominent national figures appear throughout, but this is not a book focused on Washington, D.C. Still, these tales from one state have national implications.
Kaufman's disdain for Walker and other hard-line conservatives is clear, but his research underlying the antipathy is solid and important.Pub Date: July 10, 2018
ISBN: 978-0-393-63520-1
Page Count: 256
Publisher: Norton
Review Posted Online: April 30, 2018
Kirkus Reviews Issue: May 15, 2018
Satirical, raw, and unapologetically real, West delivers the bittersweet truths on contemporary living.
A cornucopia of shrewd cultural observations from New York Times columnist West (Shrill: Notes From a Loud Woman, 2016).
In 18 pointed essays, the author addresses a variety of topics, including frivolous internet sensation Grumpy Cat, South Park, Guy Fieri, and the global significance of abortion rights and gender equality. In West’s opening tirade, she denounces Donald Trump’s repetitive usage of the term “witch hunt” while scrutinizing his uncanny “ability to conjure reality out of hot air and spittle.” This essay serves as the launching pad for further pieces exposing the sorry state of contemporary American politics and popular culture. Tough, irritated, and eager to speak her truth, the author expounds on the unifying aspects of visibility and activism to cultivate change, especially when countering the denigration of women. Her sharp wit and no-nonsense sense of humor also shine through her dissection of the work of Adam Sandler, Gwyneth Paltrow’s diet plan (her avocado smoothie “could give diarrhea an existential crisis”), and how movies like Clue shaped her perspectives and appreciation for one-liners and physical comedy. West rarely minces words, especially regarding documentaries on the Ted Bundy murders and the Fyre Festival or when expressing her sheer appreciation for the legacy of Joan Rivers, and her writing is fluid and multifaceted. Though she often rages at social injustice, she also becomes solemnly poetic when discussing her fondness for the drizzly Pacific Northwest, where she was raised and still resides, a place where she can still feel her deceased father’s presence “in the ridges and grooves of my city—we are close, superimposed, separated only by time, and what’s that? This is the only religion I can relate to.” Only occasionally are the smoothly written essays hijacked by intrusive asides—e.g., her experience inside a proselytizing Uber driver’s car, a scene wedged into her reflections on climate change. Though uneven at times, the author drives home the critical issues of our time while taking time to tickle our funny bones.
Satirical, raw, and unapologetically real, West delivers the bittersweet truths on contemporary living.Pub Date: Nov. 5, 2019
ISBN: 978-0-316-44988-5
Page Count: 272
Publisher: Hachette
Review Posted Online: Sept. 10, 2019
Kirkus Reviews Issue: Oct. 1, 2019
BOOK REVIEW
An intriguing examination of the complexity of female power in a variety of relationships.
A collection of personal journal entries from the feminist writer that explores power dynamics and “a subject [she] kept coming back to: women strong in public, weak in private.”
Cultural critic and essayist Roiphe (Cultural Reporting and Criticism/New York Univ.; The Violet Hour: Great Writers at the End, 2016, etc.), perhaps best known for the views she expressed on victimization in The Morning After: Sex, Fear, and Feminism (1994), is used to being at the center of controversy. In her latest work, the author uses her personal journals to examine the contradictions that often exist between the public and private lives of women, including her own. At first, the fragmented notebook entries seem overly scattered, but they soon evolve into a cohesive analysis of the complex power dynamics facing women on a daily basis. As Roiphe shares details from her own life, she weaves in quotes from the writings of other seemingly powerful female writers who had similar experiences, including Sylvia Plath, Simone de Beauvoir, Virginia Woolf, and Hillary Clinton. In one entry, Roiphe theorizes that her early published writings were an attempt to “control and tame the narrative,” further explaining that she has “so long and so passionately resisted the victim role” because she does not view herself as “purely a victim” and not “purely powerless.” However, she adds, that does not mean she “was not facing a man who was twisting or distorting his power; it does not mean that the wrongness, the overwhelmed feeling was not there.” Throughout the book, the author probes the question of why women so often subjugate their power in their private lives, but she never quite finds a satisfying answer. The final entry, however, answers the question of why she chose to share these personal journal entries with the public: “To be so exposed feels dangerous, but having done it, I also feel free.”
An intriguing examination of the complexity of female power in a variety of relationships.Pub Date: March 3, 2020
ISBN: 978-1-9821-2801-2
Page Count: 256
Publisher: Free Press
Review Posted Online: Dec. 21, 2019
Kirkus Reviews Issue: Jan. 15, 2020
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
