Pretty prose and a pleasing subject for lovers of literary gossip, but Roiphe doesn’t come up with any real revelations...
Tidily composed, broadly researched examination of seven unconventional early modern marriages.
Cultural critic and novelist Roiphe (Still She Haunts Me, 2001, etc.) is drawn to artists who flourished between the two world wars because they were torn between Victorian and modernist sensibilities, their unions subject to conflicts and contradictions not unfamiliar to couples in our own era. Acknowledging her subject’s “natural prurience” only to brush aside doubts (“Why should it be prurient? Marriage is perpetually interesting.”), she delves eagerly into the intimate lives and letters of those in marital conflict and revels in their posturing. Inveterate womanizer H.G. Wells, for example, idolized his stay-at-home wife Jane even while carrying on with Rebecca West and asserting in his work the value of free love. Ailing, ethereal short-story author Katherine Mansfield and critic John Middleton Murry enjoyed a curiously chaste, childlike marriage; they lived largely apart, so their relationship remained abstract and purely romantic. By sheer force of her generous personality, Virginia Woolf’s sister Vanessa was able to maintain her marriage to Clive Bell, nurture three children and keep several lovers around her at the same time. Aristocratic hostess Ottoline Morrell was shaken by the revelation of her husband Philip’s infidelity, even though her own numerous affairs included a long-term entanglement with Bertrand Russell. Novelist Radclyffe Hall had been faithful to Una Troubridge for 18 years when she became besotted with a Russian nurse and persuaded them both to join her in a tense “trio lesbienne” that endured for more than a decade. Vera Brittain and Winifred Holtby weren’t lovers, but Brittain found more happiness living with her girlhood friend than with husband George Gordon Catlin. Memoirist and novelist Elizabeth Von Arnim, today less well known than the others, also favored rule-breaking alliances.
Pretty prose and a pleasing subject for lovers of literary gossip, but Roiphe doesn’t come up with any real revelations about some very familiar figures.Pub Date: July 3, 2007
ISBN: 978-0-385-33937-7
Page Count: 342
Publisher: Dial Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 2007
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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