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HOW TO BE A FAMILY

THE YEAR I DRAGGED MY KIDS AROUND THE WORLD TO FIND A NEW WAY TO BE TOGETHER

Slack moments aside, this memoir of travel with a family in need of change has its pleasures.

Slate editor Kois (Facing Future, 2009, etc.) looks for a little quality time with the family, finding it in adventures and misadventures around the world.

“Above all,” writes the author near the beginning, “our life as a family felt as though it were flying past in a blur of petty arguments, overworked days, exhausted nights, an inchoate longing for some kind of existence that made more sense.” The answer: Uproot. Move. Go see what the rest of the world looks like while the kids are still young. Kois and his family embarked on a journey that took them from Northern Virginia to New Zealand, the Netherlands, Costa Rica, Kansas, and back again in a whirlwind year. The book doesn’t have much of a thesis, but its slightly melancholy ending might remind cinema-minded readers of the end of Bill Forsyth’s 1983 film Local Hero. There are a few set pieces and clichés but also some nicely tuned-in observations befitting a keen-eyed journalist. For example, the author writes about how in Holland, speed laws for motor vehicles are set at 30 kilometers per hour because anything more would likely doom a pedestrian or cyclist to death. So it is that people survive such collisions in Holland, which puts a nation assured of good odds on two wheels, which, thus applied to children, “helps create the kind of independence that Dutch parents prize." The America of red-state Kansas proved more fearful but not without civic virtues; refreshingly, Kois doesn’t hammer too hard on politics even though it’s clear where his views lie. Overall, the book is a minor contribution to the literature of family (and travel, for that matter), but it’s a pleasant narrative that makes few demands on readers.

Slack moments aside, this memoir of travel with a family in need of change has its pleasures.

Pub Date: Sept. 17, 2019

ISBN: 978-0-316-55262-2

Page Count: 336

Publisher: Little, Brown

Review Posted Online: July 27, 2019

Kirkus Reviews Issue: Aug. 15, 2019

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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