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AUGMENTATION AND THE ILLNESSES OF CIVILIZATION

A stimulating but unconvincing hypothesis, presented in exasperating prose.

A brief consideration of the idea that human consciousness may be an evolutionary maladaptation that led to greater susceptibility to disease. 

The development of consciousness has historically been celebrated as a mark of superiority—the principal reason why humankind sits atop the evolutionary food chain. However, geologist Mrejeru (Emergence of Modern Brain and the Imaginary Build-up of Civilization, 2019, etc.) considers an alternative hypothesis: that human consciousness was an aberrant adaptation—one that gave rise to civilization, but also generated the conditions that contribute to chronic illness. Due to “geomagnetic excursions” that occurred on the planet some 40,000 years ago, he says, human beings were exposed to secondary radiation “strong and long enough to augment human brain rhythms.” This, he asserts, paved the way for new mutations that led to a left-hemisphere-dominant brain that used language and, eventually, analysis to interpret the world. However, the advent of human consciousness introduced stressful uncertainty, the author says, which led to the experience of “existential perils.” The modern brain developed about 30,000 years ago, according to the author, and it aims to manage the aforementioned crisis by way of “augmentation”—a process that filters out information as a way to reduce uncertainty, but actually introduces more complexity and stress. The author—in dense prose with occasional typographical errors that’s often nearly impenetrable—hypothesizes that human vulnerability to disease and dysfunction, including autism and schizophrenia, is a result of this stress. Mrejeru’s thesis is as provocative as it is ambitious, as he aims, in this book, at nothing less than an articulation of origin stories for consciousness and civilization, as well as appraisals of their impacts on humanity. However, his treatise is unfortunately highly speculative—heavy on hypothesis and assumption, and short on empirical substantiation. Also, the work as a whole lacks philosophical rigor; it never precisely defines the concepts of consciousness and civilization, for example, and its theories regarding the existential encounter with uncertainty seem like brute postulates. 

A stimulating but unconvincing hypothesis, presented in exasperating prose.

Pub Date: July 5, 2019

ISBN: 978-1-64367-597-8

Page Count: 182

Publisher: Urlink Print & Media, LLC

Review Posted Online: May 6, 2020

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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