A lively thriller that gets tripped up on its own satirical message.


A spurned studio heir attempts to form a real-life Jewish cabal in this comic novel.

Following the death of his father, 20-something aspiring screenwriter David Zelig watches as the family film company, Zelig Pictures, is stolen from him by an anti-Semite. He decides to seek help from the fabled Elders of Zion—the shadowy Jewish cabal that secretly controls the world—only to learn that the group is just an anti-Semitic conspiracy theory. But, David wonders, what if they were real? Using the rash of recent synagogue shootings as a rallying cry, David enlists his two best friends—straight-laced techie Jordan Brody and carefree playboy Mitchell Joffe—to form the Trio (since calling themselves the Elders of Zion would be too much of a giveaway). As the three set out to gain some influence, they quickly run up against the plethora of secret societies that are already operating in America: Islamic terrorists, the Knights Templar, and even a lost tribe descended from the last czar of Russia. Forced to scramble to keep from winding up the victim of these various plotters, David finds himself tasked with stealing a collection of rare Fabergé eggs, locating Jesus’ preserved foreskin, and preventing a massive attack on a Jewish lobbying group. But can he get his family’s company back? Sofer’s prose is urgent but imbued with a sense of humor: “ ‘Am I glad to see you!’ David lied. He shifted uncomfortably on the back seat of the unmarked FBI cruiser, his arms cuffed behind his back….Special Agent Marco Hernandez was not the last person David had wanted to see, but he was on the shortlist.” The book is fairly entertaining from a purely narrative perspective—there are plenty of twists and reversals as well as some action sequences—but its themes are somewhat hard to pin down. The author seems to suggest that everybody is hatching a conspiracy theory except for the Jews, which seems like a strange lesson to take away from a history of anti-Semitic conspiracies. For all the imagination on display, readers will wish there was a deeper point to be made.

A lively thriller that gets tripped up on its own satirical message.

Pub Date: May 12, 2020

ISBN: 978-1-950139-00-2

Page Count: 312

Publisher: Self

Review Posted Online: April 7, 2020

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A bloody and grotesque but ultimately entertaining and inspiring take on horror movies, trauma, and self-determination.

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Serial killer survivors are forced to cooperate when they’re dragged screaming back into jeopardy.

You have to give it to Hendrix, author of The Southern Book Club’s Guide to Slaying Vampires (2020), for tapping into his deep knowledge of horror films and fiction to find a new angle on the tropes of terror with every outing. In the same way Edgar Cantero lampooned Scooby Doo in Meddling Kids (2017), this scary unraveling aims straight for the sheer terrors the best slasher films create. Here, Hendrix has zeroed in on the so-called “final girl,” the sole survivor of a horrific massacre—you’re already thinking of Jamie Lee Curtis in the Halloween movies or Sigourney Weaver in Alien. This book is even more skin-crawling, as deeply paranoid Lynnette Tarkington (impaled on an antler trophy during her first unfortunate encounter years ago) reluctantly participates in group therapy sessions with Dr. Carol Elliot along with fellow survivors Marilyn Torres, who has buried her emotions in wealth; Dani Shipman, who might have killed the wrong person; Julia Campbell, whose encounter left her in a wheelchair; and Heather DeLuca, who is succumbing to addiction. Hendrix can be tongue-in-cheek (see Horrorstör, 2014) but is deadly serious here while still warping the conventions of the genre, including the fact that some of the survivors have participated in graphic horror flicks depicting their very real traumas. The book is creepy enough on its face, but Hendrix’s use of expedient narrative tools, including a laconic cowboy lawman, an overly eager journalist, and a host of archetypal serial killers, heightens the unease. After one member of this vigilant sisterhood is murdered and a series of oddly prescient attacks threaten the rest, Lynnette becomes increasingly suspicious that the attacks are originating way too close to their inner circle. “Does this ever end?” Lynnette asks. “Will there always be someone out there turning little boys into monsters? Will we always be final girls? Will there always be monsters killing us? How do we stop the snake from eating its own tail?”

A bloody and grotesque but ultimately entertaining and inspiring take on horror movies, trauma, and self-determination.

Pub Date: July 13, 2021

ISBN: 978-0-593-20123-7

Page Count: 352

Publisher: Berkley

Review Posted Online: May 5, 2021

Kirkus Reviews Issue: May 15, 2021

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Eerie atmosphere isn’t enough to overcome an unsatisfying plot and sometimes-exasperating protagonist.


A blend of psychological mystery and gothic thriller puts a psychotherapist in pursuit of a serial killer on the campus of Cambridge University.

The author’s second novel features a psychotherapist as its main character, as did his 2019 debut, The Silent Patient (whose main character makes an appearance here). This book’s protagonist is Mariana, who has a busy practice in London specializing in group therapy. At 36, she’s a widow, reeling from the drowning a year before of her beloved husband, Sebastian. She’s galvanized out of her fog by a call from her niece, Zoe, who was raised by Mariana and Sebastian after her parents died. Zoe is now studying at Cambridge, where Mariana and Sebastian met and courted. Zoe has terrible news: Her close friend Tara has been murdered, savagely stabbed and dumped in a wood. Mariana heads for Cambridge and, when the police arrest someone she thinks is innocent, starts her own investigation. She zeroes in on Edward Fosca, a handsome, charismatic classics professor who has a cultlike following of beautiful female students (which included Tara) called the Maidens, a reference to the cult of Eleusis in ancient Greece, whose followers worshipped Demeter and Persephone. Suspicious characters seem to be around every ivy-covered corner of the campus, though—an audacious young man Mariana meets on the train, one of her patients who has turned stalker, a porter at one of the college’s venerable houses, even the surly police inspector. The book gets off to a slow start, front-loaded with backstories and a Cambridge travelogue, but then picks up the pace and piles up the bodies. With its ambience of ritualistic murders, ancient myths, and the venerable college, the story is a gothic thriller despite its contemporary setting. That makes Mariana tough to get on board with—she behaves less like a modern professional woman than a 19th-century gothic heroine, a clueless woman who can be counted on in any situation to make the worst possible choice. And the book’s ending, while surprising, also feels unearned, like a bolt from the blue hurled by some demigod.

Eerie atmosphere isn’t enough to overcome an unsatisfying plot and sometimes-exasperating protagonist.

Pub Date: June 1, 2021

ISBN: 978-1-250-30445-2

Page Count: 352

Publisher: Celadon Books

Review Posted Online: March 3, 2021

Kirkus Reviews Issue: March 15, 2021

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