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THE CROOKED MAID

Vyleta conjures an appropriate landscape of gloom and ruin and sends too many people off to wander in it.

A dour excursion into a pocket of postwar Vienna, shaped by parricide, lost loves and remnants of Nazi malevolence.

This sequel to Vyleta’s 2012 novel, The Quiet Twin, moves the action from pre–World War II Vienna to 1948, as two people return to the city: Robert, a young man trying to uncover why his stepfather was thrown to his death from a window of the family home, and Anna, who wants to locate her long-missing husband, the doctor at the center of the previous novel. Robert’s old home is occupied by a nightmarish cast of characters: His mother is lost in drugs and alcohol and unwilling to part with her portrait of Hitler; his stepbrother, Wolfgang, stands accused of murdering his father; and Wolfgang’s wife is a study in ignorant lassitude. The home is being cared for—or barely so—by Eva, the hunchbacked maid of the title, who bitterly mocks Robert’s efforts to understand what’s happened. Life at Anna’s old home is only marginally better, as her efforts to locate her husband bring her into the orbit of a U.S. expat journalist and an earnest ne’er-do-well, as well as Robert, with whom a semblance of romance blossoms. As in The Quiet Twin, Vyleta piles on intersecting characters but not always to useful effect; if Eva is meant as a symbol of the degradations of a decade under the Nazis’ iron hand, she’s too unlikable and too absent from much of the narrative to do the job well. Wolfgang’s trial gives the novel a lift, encapsulating the mood of bloodlust and suspicion that seems to consume the city. But the multiple plot vectors dampen the story; by the time the fate of Anna’s husband finally becomes clear, it registers little emotional effect.

Vyleta conjures an appropriate landscape of gloom and ruin and sends too many people off to wander in it.

Pub Date: Aug. 6, 2013

ISBN: 978-1-60819-809-2

Page Count: 448

Publisher: Bloomsbury

Review Posted Online: June 30, 2013

Kirkus Reviews Issue: July 15, 2013

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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