by Dana Gioia ‧ RELEASE DATE: Oct. 1, 1992
As a nonacademic poet and critic (for years he was a business executive), Gioia is rightfully appalled at the capture of poetry by the English departments of the land, and at how, in this enervating captivity, it has become trivialized, been made uniform, and lost all general readership. In his title essay, Gioia makes an unobjectionable analysis of how this happened, and even laudably goes further with a few corrective ideas. Some seem easy enough to accomplish (such as encouraging poets at poetry readings to read others' poetry as well as their own), others harder (encouraging a more rigorous criticism of poetry, Ö la Randall Jarrell, not the usual praise-your-pals stuff). Having made so lucid a diagnosis, Gioia the critic opens himself up to inevitable and somewhat unenviable scrutiny—as he gets down to cases in the essays that follow. He is no Jarrell himself. He aims a howitzer at Robert Bly (which is a little like shooting fish in a barrel); devotes much approving (and vaguely self-congratulatory) energy to the echt-bourgeois-businessman-poet Wallace Stevens; and makes self-consciously lonely pleas for Robinson Jeffers, Weldon Kees, and Ted Kooser—poets whose marginality Gioia prefers to see as neglect rather than as mediocrity. The sense you finally come away with is wistfulness: a good mind paddling manfully on, looking for an intellectual mainstream it never quite finds—and that may never have been there in the first place.
Pub Date: Oct. 1, 1992
ISBN: 1-55597-176-8
Page Count: 256
Publisher: Graywolf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1992
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by William Strunk & E.B. White ‧ RELEASE DATE: May 15, 1972
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
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