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THE HOUSEBOAT

A hypnotic blend of noir and goth.

Summoned from Minneapolis to take over a murder investigation in an Iowa river town—the year is 1960—federal agent Edward Ness must contend with his own inescapable violent past.

The murder, of a teenage boy during a campground tryst with his now-traumatized girlfriend, was committed by an extreme lowlife named Rigby Sellers, a jailbird who lives on a dilapidated houseboat with stolen mannequins dressed in women's garments. His mother, a prostitute, abandoned him when he was young to raise two children from another father. Seven years ago, agent Ness' wife and 4-year-old son were shot to death by a purse-snatcher. A habitual drinker ever since, he has been disciplined on the job for serious indiscretions, but he can be a real charmer. He effortlessly attracts an innocent young female hotel worker, raising eyebrows around town. She drops out of the story without comment, one of the unusual strokes in a novel filled with them. After introducing Ness at the start and filling in his tale of woe, Bahr pushes him aside for a long section detailing Rigby's peccadillos and sociopathic origins. When Ness finally returns to the narrative to go after the killer, the dark clouds of his existence reflected by the dank landscape and ominously flooding Mississippi, it is clear that this bleak tale is not going to end predictably. Told in colorful dialect ("Yeh always been this morose?") with collectible small-town–isms, the novel combines poetry (a dying star reflected on the water "blinked away forever") and unsettling horror (there's never been a graveyard scene quite like the one here). An impressive debut.

A hypnotic blend of noir and goth.

Pub Date: Feb. 1, 2022

ISBN: 978-1-64009-508-3

Page Count: 256

Publisher: Counterpoint

Review Posted Online: Nov. 16, 2021

Kirkus Reviews Issue: Dec. 1, 2021

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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  • New York Times Bestseller

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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CITY IN RUINS

If you love good crime writing but aren’t familiar with Winslow’s work, read this trilogy in order.

The dramatic conclusion to the trilogy about two New England crime families begun in City on Fire (2022) and City of Dreams (2023).

Near the end of his journey, multimillionaire Danny Ryan watches a casino implode in a mushroom cloud of dust and muses about his life’s implosions: “The cancer that killed his wife, the depression that destroyed his love, the moral rot that took his soul.” Danny is from Providence, Rhode Island, and desperately tried to leave his criminal life behind him. But using a ton of ill-gotten gains, he invests heavily in Las Vegas properties. Congress is conducting an investigation into gambling that could destroy his casino business and even land him in jail. An FBI agent plans to take Danny down for major sins he’d like to repent for. Meanwhile, can he make peace with his enemies? Nope, doesn’t look like it. Even if the parties involved want to put the past behind them, the trouble is that they don’t trust each other. Is Vern Winegard setting Dan up? Is Dan setting Vern up? “Trust? Trust is children waiting for Santa Claus.” So what could have been a “Kumbaya,” nobody-wants-to-read-this story turns into a grisly bloodletting filled with language that would set Sister Mary Margaret’s wimple on fire—figuratively speaking, as she’s not in the book. But the Catholic reference is appropriate: Two of the many colorful characters of ill repute are known as the Altar Boys, serving “Last Communion” to their victims. On the law-abiding side and out of the line of fire is an ex-nun-turned-prosecutor nicknamed Attila the Nun, who’s determined to bring justice for a gory matricide. (Rhode Island really had such a person, by the way.) Finally, the prose is just fun: A friend warns Dan about Allie Licata: “In a world of sick fucks, even the sick fucks think Licata’s a sick fuck.” A couple of things to note: This not only ends the trilogy, but it also closes out the author’s career, as he has said he’ll write no more novels.

If you love good crime writing but aren’t familiar with Winslow’s work, read this trilogy in order.

Pub Date: April 2, 2024

ISBN: 9780063079472

Page Count: 400

Publisher: Morrow/HarperCollins

Review Posted Online: Dec. 16, 2023

Kirkus Reviews Issue: Jan. 15, 2024

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