Wears its philosophical intentions on its sleeve; well-developed characters and their interesting careers seal the deal.
Two families in suburban New York weather crisscrossing births and deaths, losses and rebounds.
Shapiro, who made a splash with her gripping genealogy memoir, Inheritance (2019), returns to fiction with this moody, meditative novel, her 11th book. The story opens in 1985. Fifteen-year-old Theo Wilf is driving the family car; his older sister, Sarah, has been drinking; a friend who came along for the ride is killed in a wreck right in front of their house. To protect her brother, Sarah claims she was at the wheel. Surprisingly, considering it gets our attention with this super-plotty device, the book is actually more concerned with character development and metaphysical questions than event-driven storytelling. To understand the effects of the tragedy on the siblings, their parents, and the universe, we are guided by an omniscient narrator to moments in 2010, 1999, 2020, 2014, and 1970; Sarah becomes a screenwriter with addiction problems; Theo, a tortured master chef. The book's anti-chronological structure reflects the yearning, felt by both the characters and their rather insistent narrator, toward the epiphanic idea that everything is connected; nothing and no one is ever truly lost. Across the street from the Wilfs are the Shenkmans—and it's a good thing for them, since paterfamilias Dr. Wilf will deliver baby Waldo, premature and wrapped in his cord, on the kitchen floor on New Year's Eve of Y2K. Dr. Wilf and Waldo will share a lifelong connection; at 9, Waldo will show him an app he loves that charts constellations and geography. This app becomes a literal bridge between the loneliness of modern suburban living and the book's dream of connectivity. "The stars, rather than appearing distant and implacable, seemed to be signal fires in the dark, mysterious fellow travelers lighting a path; one hundred thousand million luminous presences beckoning from worlds away. See us. We are here. We have always been here. We will always be here."
Wears its philosophical intentions on its sleeve; well-developed characters and their interesting careers seal the deal.Pub Date: Oct. 18, 2022
ISBN: 978-0-593-53472-4
Page Count: 240
Publisher: Knopf
Review Posted Online: July 6, 2022
Kirkus Reviews Issue: Aug. 1, 2022
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
A delightfully nostalgic novel about how the things we loved in the past have the power to shape our future.
A boy band cruise is the site of one woman’s post-divorce healing.
Annie never meant to end up alone on a Boy Talk cruise, but that’s exactly what happens when her sister breaks a leg and has to bow out of their vacation. Now Annie is sharing a cabin with a stranger, stuck on the cruise ship American Fantasy with the 1990s band—and thousands of their biggest fans, known as Talkers. Annie doesn’t consider herself a Talker, even if she was a fan back in the day. But reeling from a recent divorce and dealing with complex feelings about turning 50, Annie throws herself into the distraction of the trip. What she doesn’t expect is to truly connect with the music, the band, the other fans, and herself. As Annie observes, “This was why people turned to religion or watched the Super Bowl at a sports bar instead of alone in their living room. It felt good to be a part of something where your passion was celebrated instead of mocked.” All the Talkers dream of having a special bond with “the guys,” but when Annie actually does meet Keith, a Boy Talk member who’s clearly going through a hard time, she wonders if their connection is real or if she’s just as delusional as the other (mostly) women on the ship. Straub depicts a wonderfully immersive world aboard the American Fantasy, one where each woman assigns herself a favorite guy and everyone is bedecked in Boy Talk merch. For five days, the Talkers live in a fantasy world where the only thing that matters is their connection with a band that meant everything to them so many years ago. As Annie puts it, “Inside her head, which is where she heard the music, it had touched some lever so deep that it couldn’t be reversed…the music was a direct vein to her own childhood, the least complicated part of her life.”
A delightfully nostalgic novel about how the things we loved in the past have the power to shape our future.Pub Date: April 7, 2026
ISBN: 9798217046850
Page Count: 304
Publisher: Riverhead
Review Posted Online: Jan. 19, 2026
Kirkus Reviews Issue: Feb. 15, 2026
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