For all the trauma that the discovery put her through, Shapiro recognizes that what she had experienced was “a great...
Before focusing on memoirs, Shapiro (Hourglass: Time, Memory, Marriage, 2017, etc.) drew from her family life in her fiction. In her latest, she delves into an origin story that puts everything she previously believed and wrote about herself in fresh perspective.
The author’s relationship with her mother was difficult. “My single best defense had always been that I was my father’s daughter,” she writes. “I was more my father’s daughter. I had somehow convinced myself that I was only my father’s daughter.” Eventually, she learned that she wasn’t her father’s daughter at all, at least not in the way that she had initially understood. Through DNA testing to which she had only submitted because her husband had done so, Shapiro discovered that she shares none of hers with her father’s side of the family and that the sperm that impregnated her mother had come from someone else. But who? The first half of the book trudges through a bit too much day-by-day detail, as the author becomes convinced that there’s no way these results could have been mistaken. It is after she discovers who her real father is, or at least the sperm donor, that the narrative deepens and enriches our deeper understanding of paternity, genetics, and what were then called “test tube tots.” Sperm donors had been guaranteed anonymity, and the man she contacted was initially resistant to upset the balance of his family dynamic because of his participation in the procedure decades earlier. Equally upsetting Shapiro was the issue of what her parents had believed, separately or together, about her parentage. Had they spent their lives as a family deceiving her, or had they also been deceived? Then there was the doctor whom they had consulted when they were having fertility issues, “an outlaw” whose credentials were shaky but whose results were impressive.
For all the trauma that the discovery put her through, Shapiro recognizes that what she had experienced was “a great story”—one that has inspired her best book.Pub Date: Jan. 15, 2019
ISBN: 978-1-5247-3271-4
Page Count: 272
Publisher: Knopf
Review Posted Online: Sept. 24, 2018
Kirkus Reviews Issue: Oct. 15, 2018
If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.
The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.
Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.
If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.Pub Date: Sept. 1, 1998
ISBN: 0-670-88146-5
Page Count: 430
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1998
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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