Next book

LOST CITY RADIO

Alarcón has mapped a whole nation and given its war-torn history real depth—an impressive feat.

The host of a radio show finds herself increasingly tangled in the legacy of her country’s wearying history of war.

Like the dystopian settings of Brave New World and 1984, the nation that Alarcón describes in his jarring and deeply imagined first novel feels at once anonymous and very familiar. Norma lives in the capital city of a South American nation that has spent ten years recovering from a long civil war that pitted the army against a failed cadre of rebels called the Illegitimate Legion. The reasons for the fighting are obscure, but Norma has become a national folk hero by helping to pick up the pieces; as the host of “Lost City Radio,” she reunites listeners with family members who were among the “disappeared” during the war. She’s not wholly dispassionate about her work: Among the missing is her husband, Rey, a plant scholar who paid dearly, perhaps even fatally, for his freethinking attitude. A young boy named Victor visits the station from the jungle village of 1797 (all towns were renamed with numbers under the new regime), bearing a list of people its residents are searching for; through Victor, Norma is forced to intimately contemplate the war, and how she and Rey were connected to it. There’s little plot in the present-day sections—the story mainly sparks remembrances of the past, which allows Alarcón to render this unnamed country in remarkable detail. In reportorial prose, he describes the folkways of the jungle village where Victor was born, and the lives of its residents; the horrors of the Moon, the concentration camp where Rey suffered various indignities; and the shape of the secretive underground movement in the city. Alarcón (stories: War by Candlelight, 2005) makes increasingly strong connections between city and jungle, the army and the rebels, and Norma and Victor, sending a powerful message about how war has a way of implicating everybody.

Alarcón has mapped a whole nation and given its war-torn history real depth—an impressive feat.

Pub Date: Feb. 1, 2007

ISBN: 0-06-059479-9

Page Count: 272

Publisher: HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 15, 2006

Categories:
Next book

TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

Categories:
Next book

THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

Categories:
Close Quickview