“It’s my task to transmit the legacy to a new generation of people the same age as those killed,” says Rose. He does just...
A transforming journey into a family’s past as a father takes his sons to Europe to follow in their relatives’ footsteps.
After his divorce, Rose (Flipping for It, not reviewed, etc.) decides to take 7-year-old Marshall and 12-year-old Alex, on a voyage of discovery into their father’s family’s circumstances during WWII. When they meet J.P., one of their relatives, he gives them a journal, runic but with enough information to follow. The three track J.P.’s movements as he fled with his family from the Nazis, town to town, hidey-hole to hidey-hole. On one level, this is an extended rumination on hiding places: “Even if they didn’t save our lives, they allowed us to reveal ourselves more fully than anywhere else. That was the wonderful paradox of hiding places. Not merely dark holes of concealment, they were also places of revelation.” But this is also a voyage of illumination, a reexperiencing in their own way of what J.P. and his family endured. It offers Rose as a father not only a chance to introduce his boys to a side of their family, but to address, often during bedtime chats, questions of love and hate and childhood, evil, forgiveness, and redemption, all sparked by visiting J.P.’s haunts along the trail. The boys come to know their relatives in wartime—“hiders in attics, hunted outcasts, pariahs and scaredy-cats and glorious eccentrics, caustic by nature and questioning by habit, and always on your toes.” Rose is blessed with a knack for character-sketching, for delineating the atmosphere of places, and for conveying drama: Their coming to an extermination camp in France, where J.P.’s two daughters were killed, is so powerful it’s crushing, a crash course in evil.
“It’s my task to transmit the legacy to a new generation of people the same age as those killed,” says Rose. He does just this, with tenderness and insight, retold here with extraordinary narrative skill.Pub Date: Sept. 1, 2002
ISBN: 0-609-80915-6
Page Count: 384
Publisher: Three Rivers/Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 2002
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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