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No More Illusions. . .A Mystery

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In the first volume of this California-based mystery series, middle-aged rookie cop Dylan Blake gets pulled into a murder case that recalls his own painful past.

Forty-something Blake is enjoying some time alone in nature in Big Sur when he receives a call from Chief Cooper, his top boss back at the Sierra Springs Police Department. Kate Winslow, a local businesswoman and ex-wife and sister to rich men, is concerned about the car accident that took the life of Jack Hamilton, the business partner she just fired. Since Hamilton’s car went over a cliff near where Blake is vacationing, Cooper asks Blake to scope out the crash scene. On his climb up after completing this task, Blake is nearly killed by someone throwing rocks from above. While local police initially dismiss Hamilton’s death as a suicide, Blake continues to investigate, soon meeting up with the alluring Kate, her sleazy ex-husband, and their 20-something daughter, Allison, who is living on her own and working as a prostitute. Blake senses that the Winslows are dealing with issues similar to those faced by his own family, which led to his depression and divorce; he got back on track only recently when he joined the force. When Kate’s ex-husband shows up dead, events escalate, putting Blake’s life once again in jeopardy. Kate’s brother in Utah rises up as a nemesis, and even Blake’s mother in Georgia gets threatened before there’s a resolution of sorts to the murky case. First-time novelist Babka weaves a multilayered tale that has shades of California noir à la Chinatown. Blake’s desire for connection as well as escape through nature is affectingly portrayed, and his interactions with the damaged Allison are particularly touching. However, Babka’s narrative occasionally gets bogged down in his protagonist’s back story, his various tics (e.g., trying to eat healthy) and key relationships, including those with a new girlfriend and a local African-American boy. Still, there’s rich material to mine in this strong start to a new series.


Accomplished, ambitious crime fiction launching a sensitive, complex hero and a promising array of supporting characters.

Pub Date: Oct. 15, 2014

ISBN: 978-0-9910601-2-2

Page Count: 382

Publisher: Blue Squirrel Press

Review Posted Online: Aug. 11, 2014

Kirkus Reviews Issue: Sept. 15, 2014

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SEASONS OF HER LIFE

A fat pancake of a novel, the author's second hardcover production tells the life story of one Ruby Blue—from an abused childhood and youth, to years as wife of a Marine, personal liberation, life in the world of industry, and her golden years in a rural retreat. Throughout the career of Ruby Blue, monster men abound. There's Papa George in their Pennsylvania home, a slasher, smacker, and wife beater, who requires that his daughters repay him, in bucks, for the cost of raising them. Then there's Ruby's husband, Andrew (met in those WW II glory days in D.C.), who is heavy on the verbal abuse and generally amoral. Ruby's lifelong friend Dixie is regularly slugged mercilessly by husband Hugo. Ruby's longtime true love, Calvin, is a gentle soul, but his wife, Eva, is as lethal as the men; fortunately for Calvin, she lacks the biceps. Ruby weathers life with Andrew at Marine bases and puts up with his callous treatment of their two children, but after Andrew admits to having gambled away their son's college money she finally decamps to New Jersey. Ruby soldiers on with Dixie, and their kitchen cookie business goes international in no time. As for the men, they'll get theirs: Papa George is Bobbittized with scalding grape jelly; the late Hugo's ashes get lost in traffic; and Ruby dumps Calvin. But Andrew sees the light. Glop. However, bear in mind the author's smashing success in paperback, including her Texas saga (5 million sold).

Pub Date: April 1, 1994

ISBN: 0-345-36774-X

Page Count: 528

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1994

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TREE OF SMOKE

It’s more than coincidence that the novel features two sets of relatives whose blood ties are once removed, for the family...

Within the current political climate, the reader might expect a new novel about the war in Vietnam to provide a metaphor for Iraq. Yet Denis Johnson has bigger whales to land in his longest and most ambitious work to date. Tree of Smoke is less concerned with any individual war than with the nature of war, and with the essence of war novels. There are echoes here of Joseph Conrad’s Heart of Darkness (particularly as transformed by Francis Ford Coppola into Apocalypse Now) and Joseph Heller’s Catch-22, yet Johnson’s achievement suggests that each generation gets the war—and the war novel—it deserves.


At the center of Johnson’s epic sprawl is Colonel Francis Sands, the novel’s Captain Ahab, a character of profound, obsessive complexity and contradiction. Is he visionary or madman, patriot or traitor? Dead or alive? Or, somehow, all of the above? Because the reader perceives the Colonel (as he is reverently known) through the eyes of other characters, he shimmers like a kaleidoscope of shifting impressions. His military involvement in Asia preceded Japan’s attack on Pearl Harbor, and he has continued to operate as a CIA agent within the shadows of Vietnam, while perhaps answering to no authority higher than his own.
From World War II through the war in Vietnam, much has changed—allegiances and alliances, public sentiment, the modes of modern warfare. Yet the Colonel hasn’t—he won’t or he can’t. Though he is plainly the novel’s pivotal figure, Johnson spends more time inside the psyche of the Colonel’s nephew, William “Skip” Sands, whose father died in action and whose enlistment extends a family tradition. He’s as naïve as the Colonel is worldly, as filled with self-doubt as his uncle is free of it, but he ultimately joins his relative in psychological operations against the enemy—whomever that may be. Eventually, he must decide whether it is possible to serve both his legendary relative and his country. 
A less engaging subplot concerns half-brothers Bill and James Houston, who enter the war as teenagers to escape their dead-end lives in Arizona. Where the Sands family operates on the periphery of the war, the Houstons are deep in the muck of it. Though they are what once might have been called cannon fodder, the war gives their lives definition and a sense of mission, of destiny, that is missing back home—which will never again feel like home after Vietnam.

It’s more than coincidence that the novel features two sets of relatives whose blood ties are once removed, for the family that one chooses is ultimately more important than the family into which one happens to be born. Thus it is all the more imperative to choose wisely—and all the more difficult, given the duplicity that the war seems to require for self-preservation. As the novel obliterates all distinctions between good and evil, allies and enemies, loyalty and betrayal, it sustains the suspense of who will survive long enough to have the last word.

Pub Date: Sept. 1, 2007

ISBN: 978-0-374-27912-7

Page Count: 624

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 2007

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