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No More Illusions. . .A Mystery

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In the first volume of this California-based mystery series, middle-aged rookie cop Dylan Blake gets pulled into a murder case that recalls his own painful past.

Forty-something Blake is enjoying some time alone in nature in Big Sur when he receives a call from Chief Cooper, his top boss back at the Sierra Springs Police Department. Kate Winslow, a local businesswoman and ex-wife and sister to rich men, is concerned about the car accident that took the life of Jack Hamilton, the business partner she just fired. Since Hamilton’s car went over a cliff near where Blake is vacationing, Cooper asks Blake to scope out the crash scene. On his climb up after completing this task, Blake is nearly killed by someone throwing rocks from above. While local police initially dismiss Hamilton’s death as a suicide, Blake continues to investigate, soon meeting up with the alluring Kate, her sleazy ex-husband, and their 20-something daughter, Allison, who is living on her own and working as a prostitute. Blake senses that the Winslows are dealing with issues similar to those faced by his own family, which led to his depression and divorce; he got back on track only recently when he joined the force. When Kate’s ex-husband shows up dead, events escalate, putting Blake’s life once again in jeopardy. Kate’s brother in Utah rises up as a nemesis, and even Blake’s mother in Georgia gets threatened before there’s a resolution of sorts to the murky case. First-time novelist Babka weaves a multilayered tale that has shades of California noir à la Chinatown. Blake’s desire for connection as well as escape through nature is affectingly portrayed, and his interactions with the damaged Allison are particularly touching. However, Babka’s narrative occasionally gets bogged down in his protagonist’s back story, his various tics (e.g., trying to eat healthy) and key relationships, including those with a new girlfriend and a local African-American boy. Still, there’s rich material to mine in this strong start to a new series.


Accomplished, ambitious crime fiction launching a sensitive, complex hero and a promising array of supporting characters.

Pub Date: Oct. 15, 2014

ISBN: 978-0-9910601-2-2

Page Count: 382

Publisher: Blue Squirrel Press

Review Posted Online: Aug. 11, 2014

Kirkus Reviews Issue: Sept. 15, 2014

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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