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GHOSTS OF THE DEEP

Name: GHOSTS OF THE DEEP
Author: Daniel Cohen
ISBN: 0-399-22435-1

by Daniel Cohen ‧ RELEASE DATE: June 23, 1993

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Cohen adds to his corpus of corpses (Ghostly Tales of Love and Revenge, 1992, etc.) with an assortment of European and American nautical apparitions—some widely known (the Flying Dutchman; hammering aboard the Great Eastern, frequently presaging misfortune), others of local interest, including several tales of Cornish ghosts from 19th-century collector William Bottrell. Most of the incidents follow typical patterns: an admiral who goes down with his ship in the Mediterranean appears that evening at a London reception; a drowned woman haunts a Bahamian beach calling for her child; the faces of two sailors buried at sea ``follow'' their ship. The ghosts are mostly friendly or passive, but readers will still find cause for an occasional shudder (in one tale, a hotel guest wakes to find himself sharing a bed with a dead sailor), while Cohen's unsensational reportage adds, as usual, an air of credibility. The author closes with a chapter on the Constellation and the Queen Mary, both haunted ships that can be visited. No source notes. (Nonfiction. 11-13)

Pub Date: June 23, 1993

ISBN: 0-399-22435-1

Page Count: 112

Publisher: Putnam

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 15, 1993

Categories:

CHILDREN'S GENERAL CHILDREN'S

- BOOK REVIEW
GHOST IN THE HOUSE
by Daniel Cohen & illustrated by John Paul Caponigro

- BOOK REVIEW
GHOSTLY TALES OF LOVE AND REVENGE
by Daniel Cohen

- BOOK REVIEW
ERNI CABAT'S MAGICAL WORLD OF MONSTERS
by Daniel Cohen & illustrated by Erni Cabat

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A YEAR DOWN YONDER

From the Grandma Dowdel series , Vol. 2

by Richard Peck ‧ RELEASE DATE: Oct. 1, 2000

Year-round fun.

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Set in 1937 during the so-called “Roosevelt recession,” tight times compel Mary Alice, a Chicago girl, to move in with her grandmother, who lives in a tiny Illinois town so behind the times that it doesn’t “even have a picture show.”

This winning sequel takes place several years after A Long Way From Chicago (1998) leaves off, once again introducing the reader to Mary Alice, now 15, and her Grandma Dowdel, an indomitable, idiosyncratic woman who despite her hard-as-nails exterior is able to see her granddaughter with “eyes in the back of her heart.” Peck’s slice-of-life novel doesn’t have much in the way of a sustained plot; it could almost be a series of short stories strung together, but the narrative never flags, and the book, populated with distinctive, soulful characters who run the gamut from crazy to conventional, holds the reader’s interest throughout. And the vignettes, some involving a persnickety Grandma acting nasty while accomplishing a kindness, others in which she deflates an overblown ego or deals with a petty rivalry, are original and wildly funny. The arena may be a small hick town, but the battle for domination over that tiny turf is fierce, and Grandma Dowdel is a canny player for whom losing isn’t an option. The first-person narration is infused with rich, colorful language—“She was skinnier than a toothpick with termites”—and Mary Alice’s shrewd, prickly observations: “Anybody who thinks small towns are friendlier than big cities lives in a big city.”

Year-round fun. (Fiction. 11-13)

Pub Date: Oct. 1, 2000

ISBN: 978-0-8037-2518-8

Page Count: 144

Publisher: Dial Books

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 15, 2000

Categories:

CHILDREN'S GENERAL CHILDREN'S

- BOOK REVIEW
THE BEST MAN
by Richard Peck

- BOOK REVIEW
THE MOUSE WITH THE QUESTION MARK TAIL
by Richard Peck ; illustrated by Kelly Murphy

- BOOK REVIEW
SECRETS AT SEA
by Richard Peck illustrated by Kelly Murphy

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JOEY PIGZA SWALLOWED THE KEY

From the Joey Pigza series , Vol. 1

by Jack Gantos ‧ RELEASE DATE: Oct. 1, 1998

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If Rotten Ralph were a boy instead of a cat, he might be Joey, the hyperactive hero of Gantos's new book, except that Joey is never bad on purpose. In the first-person narration, it quickly becomes clear that he can't help himself; he's so wound up that he not only practically bounces off walls, he literally swallows his house key (which he wears on a string around his neck and which he pull back up, complete with souvenirs of the food he just ate). Gantos's straightforward view of what it's like to be Joey is so honest it hurts. Joey has been abandoned by his alcoholic father and, for a time, by his mother (who also drinks); his grandmother, just as hyperactive as he is, abuses Joey while he's in her care. One mishap after another leads Joey first from his regular classroom to special education classes and then to a special education school. With medication, counseling, and positive reinforcement, Joey calms down. Despite a lighthearted title and jacket painting, the story is simultaneously comic and horrific; Gantos takes readers right inside a human whirlwind where the ride is bumpy and often frightening, especially for Joey. But a river of compassion for the characters runs through the pages, not only for Joey but for his overextended mom and his usually patient, always worried (if only for their safety) teachers. Mature readers will find this harsh tale softened by unusual empathy and leavened by genuinely funny events. (Fiction. 11-13)