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THE BOOK OF ISAIAS

A CHILD OF HISPANIC IMMIGRANTS SEEKS HIS OWN AMERICA

A story of one child of illegal immigrants that has much wider, timely resonance.

Being a child of Hispanic immigrants in modern America.

The American views on immigration took center stage during the 2016 presidential primaries, with Democrat and Republican candidates offering up multiple solutions to the immigration "problem," which this book makes clear is not so easily simplified. Connolly, who has reported on the subject for more than 10 years, puts to rest the idea of a single problem, whether it be the Republican or the Democratic framing of an issue that seems to require more than any one political outlook can address. Living deep in the Midwest with his parents—illegal immigrants from Mexico, years before—Isaias Ramos is a teenager, first and foremost, seeking his way in the world. He wrestles with the questions of postsecondary education versus immediately entering the workplace, following in his parents' footsteps doing manual work. His school recognizes his potential as he handily dispatches various educational assessment exams, ranking sixth in his class and scoring a 29 on the ACT—better than 93 percent of students in the United States. At the same time, the school struggles to provide the resources needed to support the aspirations they have for him. Student aid for children of immigrants proves a bureaucratic mess that ultimately seems to be a dead end. As with nearly any teenager, Isaias' story pulls other teens into its orbit intermittently, as they learn the ways of moving from childhood into adulthood. Isaias undoubtedly grew over the years when Connolly got to know him, blending the transition of teenager-into-adulthood with the transition of a Mexican family into America. There is a wide, almost universal air to the author’s writing, as he alternately tells a narrowly focused story and a broad-based one, making clear that this tale of one family's immigration cannot be told without laying bare the complex context in which it is situated.

A story of one child of illegal immigrants that has much wider, timely resonance.

Pub Date: Oct. 4, 2016

ISBN: 978-1-250-08306-7

Page Count: 272

Publisher: St. Martin's

Review Posted Online: Sept. 6, 2016

Kirkus Reviews Issue: Sept. 15, 2016

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THE ESCAPE ARTIST

A vivid sequel that strains credulity.

Fremont (After Long Silence, 1999) continues—and alters—her story of how memories of the Holocaust affected her family.

At the age of 44, the author learned that her father had disowned her, declaring her “predeceased”—or dead in his eyes—in his will. It was his final insult: Her parents had stopped speaking to her after she’d published After Long Silence, which exposed them as Jewish Holocaust survivors who had posed as Catholics in Europe and America in order to hide multilayered secrets. Here, Fremont delves further into her tortured family dynamics and shows how the rift developed. One thread centers on her life after her harrowing childhood: her education at Wellesley and Boston University, the loss of her virginity to a college boyfriend before accepting her lesbianism, her stint with the Peace Corps in Lesotho, and her decades of work as a lawyer in Boston. Another strand involves her fraught relationship with her sister, Lara, and how their difficulties relate to their father, a doctor embittered after years in the Siberian gulag; and their mother, deeply enmeshed with her own sister, Zosia, who had married an Italian count and stayed in Rome to raise a child. Fremont tells these stories with novelistic flair, ending with a surprising theory about why her parents hid their Judaism. Yet she often appears insensitive to the serious problems she says Lara once faced, including suicidal depression. “The whole point of suicide, I thought, was to succeed at it,” she writes. “My sister’s completion rate was pathetic.” Key facts also differ from those in her earlier work. After Long Silence says, for example, that the author grew up “in a small city in the Midwest” while she writes here that she grew up in “upstate New York,” changes Fremont says she made for “consistency” in the new book but that muddy its narrative waters. The discrepancies may not bother readers seeking psychological insights rather than factual accuracy, but others will wonder if this book should have been labeled a fictionalized autobiography rather than a memoir.

A vivid sequel that strains credulity.

Pub Date: Feb. 11, 2020

ISBN: 978-1-982113-60-5

Page Count: 352

Publisher: Gallery Books/Simon & Schuster

Review Posted Online: Oct. 20, 2019

Kirkus Reviews Issue: Nov. 15, 2019

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THE BOOK OF DELIGHTS

ESSAYS

An altogether charming and, yes, delightful book.

A collection of affirmations, noncloying and often provocative, about the things that make justice worth fighting for and life worth living.

Gay—a poet whose last book, the winner of the National Book Critics Circle Award, bears the semantically aligned title Catalog of Unabashed Gratitude (2015)—is fully aware that all is not well in the world: “Racism is often on my mind,” he writes by way of example. But then, he adds, so are pop music, books, gardening, and simple acts of kindness, all of which simple pleasures he chronicles in the “essayettes” that make up this engaging book. There is much to take delight in, beginning with the miraculous accident of birth, his parents, he writes, a “black man, white woman, the year of Loving v. Virginia, on a stolen island in the Pacific, a staging ground for American expansion and domination.” As that brief passage makes clear, this is not a saccharine kind of delight-making but instead an exercise in extracting the good from the difficult and ugly. Sometimes this is a touch obvious: There’s delight of a kind to be found in the odd beauty of a praying mantis, but perhaps not when the mantis “is holding in its spiky mitts a large dragonfly, which buzzed and sputtered, its big translucent wings gleaming as the mantis ate its head.” Ah, well, the big ones sometimes eat the little ones, and sometimes we’re left with holes in our heads, an idiom that Gay finds interesting if also sad: “that usage of the simile implies that a hole in the head, administered by oneself, might be a reasonable response.” No, the reasonable response is, as Gay variously enumerates, to resist, enjoy such miracles as we can, revel in oddities such as the “onomatopoeicness of jenky,” eat a pawpaw whenever the chance to do so arises, water our gardens, and even throw up an enthusiastic clawed-finger air quote from time to time, just because we can.

An altogether charming and, yes, delightful book.

Pub Date: Feb. 12, 2019

ISBN: 978-1-61620-792-2

Page Count: 288

Publisher: Algonquin

Review Posted Online: Jan. 12, 2019

Kirkus Reviews Issue: Feb. 1, 2019

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