A Borges-ian masterwork that neatly blends magic realism, mysticism, and off-color yarns into a superb whole.
Intellectually adventurous, multigenerational novel of a family’s quest to find meaning in the world.
We meet our narrator early on in this sprawling novel, but we get to know him only near its end. Meanwhile, Argentine writer Guebel serves up an entertaining shaggy dog—or perhaps shaggy cat, considering the unpleasant fate at the paws of a feline that a minor character suffers—tale that stretches over three centuries. Frantisek is a wayward young man who hires a music tutor and then heads for Siberia to teach lessons to the wives of the provincial bourgeoisie, which lands him a “career as a clandestine lover.” Frantisek attempts to make of his dangerous liaisons a sort of symphony that, in time, grows into what might be “rightly considered to have been the first symphonic poem,” Berlioz notwithstanding. Frantisek’s son transposes the family gift for systematics into a political philosophy built on the Jesuit precepts of Ignatius Loyola, one that years later finds an acolyte in Vladimir Ilyich Ulyanov Lenin, who, our narrator proposes, invented the Russian working class just as St. Paul invented a messiah: “Such a political gesture—which no ‘leftist’ understood at the time—clearly reveals to us that [Lenin] took maximum advantage of the lessons imparted during his months at the monastery.” Another ancestor decides to try his luck at assassinating an archduke and touching off a war only to wind up in a game of cat and mouse in a distant desert prison, while Napoleon Bonaparte, Alexander Scriabin, Madame Blavatsky, and other historical figures step onto the stage to play roles large and small. And as for that narrator? Let’s just say that he does the family proud, deftly stepping from historical fiction to science fiction and witnessing “the Universe just prior to its unfolding, naked of any wrapping, like one of those hard bitter candies that taste of pitch and melt like a rock in your mouth.”
A Borges-ian masterwork that neatly blends magic realism, mysticism, and off-color yarns into a superb whole.Pub Date: April 5, 2022
ISBN: 978-1-64421-160-1
Page Count: 448
Publisher: Seven Stories
Review Posted Online: March 1, 2022
Kirkus Reviews Issue: March 15, 2022
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
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