by Daniel Harris ‧ RELEASE DATE: Sept. 17, 2012
A sordid tale of sparring bloodlines that will entertain fans of family dramas.
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Control of a successful, multigenerational family enterprise fuels this rousing tale of greed, animosity and corporate rivalry.
Harris’ (Capital Crimes, 2002, etc.) third novel follows the churning melodrama surrounding the Galetti clan’s $2 billion supermarket chain. Right from the opening pages, there’s a legal battle brewing between co-CEOs and estate heirs Joe Galetti and his deceased brother Dom’s wife, Maria, over stocks and profits the company has made and failed to share with her side of the family. The story’s narrator, Galetti company executive Russell Riley, is curiously not a blood relative but rather a faithful employee who becomes embroiled in the family’s domestic disputes. Riley’s version of events contributes a unique, semioutsider’s perspective of the tense squabble, which is presented with an effective combination of present-day court proceedings paired with Riley’s fond flashbacks of growing up with Dom as a boy in the Galetti flagship market outside Boston and then, as an adult, while tensions grew as the business expanded. As the court case simmers, Joe becomes an embittered tyrant, and truths are revealed about the business and the nature of familial loyalty. Peripheral yet richly drawn characters—Joe’s genial nephew Trip; Helen Cortez, a highly compromised court clerk; demure law partner Diane Dunbar; scorned business partner Maria—add texture and flourishes of levity to a familial melodrama that intensifies as Harris amps up the messy courtroom antics in the novel’s fiery, scandalous and surprising conclusion. With an economy of words and spry dialogue, Harris’ novel doesn’t skimp on action, subtle romance or satisfying suspense.
A sordid tale of sparring bloodlines that will entertain fans of family dramas.Pub Date: Sept. 17, 2012
ISBN: 978-1434973832
Page Count: 178
Publisher: Rosedog Books
Review Posted Online: Oct. 9, 2014
Kirkus Reviews Issue: Nov. 15, 2014
Review Program: Kirkus Indie
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by Max Brooks ‧ RELEASE DATE: June 16, 2020
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
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New York Times Bestseller
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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BOOK TO SCREEN
by Renée Knight ‧ RELEASE DATE: May 19, 2015
An addictive psychological thriller.
When a mysterious novel appears on her bedside table, a successful documentary filmmaker finds herself face to face with a secret that threatens to unravel life as she knows it.
Catherine Ravenscroft has built a dream life, or close to it: the devoted husband, the house in London, the award-winning career as a documentary filmmaker. And though she’s never quite bonded with her 25-year-old son the way she’d hoped, he’s doing fine—there are worse things than being an electronics salesman. But when she stumbles across a sinister novel called The Perfect Stranger—no one’s quite sure how it came into the house—Catherine sees herself in its pages, living out scenes from her past she’d hoped to forget. It’s a threat—but from whom? And why now, 20 years after the fact? Meanwhile, Stephen Brigstocke, a retired teacher, widowed and in pain, is desperate to exact revenge on Catherine and make her pay for what happened all those years ago. The story is told in alternating chapters, Catherine's in the third-person and Stephen's in the first, as the two orbit each other, predator and prey, and the novel moves between the past and the present to paint a portrait of two troubled families with trauma bubbling under the surface. As their lives become increasingly entangled, Stephen’s obsession grows, Catherine’s world crumbles, and it becomes clear that—in true thriller form—everything may not be as it seems. But how much destruction must be wrought before the truth comes out? And when it does, will there be anything left to salvage? While the long buildup to the big reveal begins to drag, Knight’s elegant plot and compelling (if not unexpected) characters keep the heart of the novel beating even when the pacing falters. Atmospheric and twisting and ripe for TV adaptation, this debut novel never strays far from convention, but that doesn’t make it any less of a page-turner.
An addictive psychological thriller.Pub Date: May 19, 2015
ISBN: 978-0-06-236225-4
Page Count: 352
Publisher: Harper/HarperCollins
Review Posted Online: March 1, 2015
Kirkus Reviews Issue: March 15, 2015
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by Renée Knight
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BOOK TO SCREEN
BOOK TO SCREEN
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