A tangled travelogue that lacks much of a thesis beyond the unstated one that the world is a strange place. Too long by a...
Scottish writer Kalder (Lost Cosmonaut: Observations of an Anti-Tourist, 2006, etc.) offers tales of weird, occult doings in the land of Rasputin.
Unless you’re a longtime reader of Outside—in which Erin Arvedlund did a more economical job of telling the same story—you might not know that the sewers of Moscow, Russia, are home to an odd tribe of postmodern bohemian intellectuals who, tired of the impossibility of utopias aboveground, are trying their hands at creating a paradise below. Some of the subterraneans are more normal than others, relatively speaking, but it’s no easy matter to distinguish those who have lost their marbles and claim to work directly for Vladimir Putin via secret telephone from those who truly do work for Putin via secret telephone (“That connects me directly to the Ministry of Emergency Situations!”). Whatever their motivations and connections, the Diggers, as they’re known, have made a wondrous city beneath the city, a world into which Kalder guides readers. Meanwhile, aboveground, he writes, psychics and clergy are doing a land-office business conducting exorcisms “with the same frequency that plumbers patched up the pipes in the crumbling tower blocks of the former Soviet Union.” One such exorcist divides his time between the underground and the surface world, and Kalder accompanies him on his chases after Satan, “catastrophe surfing” in the quieter corners of the erstwhile Evil Empire. In Siberia, a former traffic cop has concocted a millenarian sci-fi cult that makes cousins such as Scientology look rational. According to them, God is “a light that doesn’t burn, which is cold and white and tender and gentle.” Naturally enough, subterraneans and exorcists figure in it.
A tangled travelogue that lacks much of a thesis beyond the unstated one that the world is a strange place. Too long by a quarter, the narrative frequently drags but is often a hoot to read.Pub Date: May 1, 2009
ISBN: 978-1-59020-226-5
Page Count: 416
Publisher: Overlook
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 2009
BOOK REVIEW
BOOK REVIEW
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
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