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YOU SHOULD HAVE LEFT

A book to keep you up at night.

A beautifully crafted exercise in terror from one of Germany’s most celebrated contemporary authors.

The unnamed narrator of this novella is a screenwriter trying to complete a sequel to his hit, Besties. In order to help him work, he and his wife retreat to a rental house in the mountains, taking their 4-year-old daughter with them. This is, of course, hardly a distraction-free environment. The notebook that is supposed to be devoted to his script is filled with more personal matter—good-natured grumbling about raising a small child, descriptions of the tensions within his marriage, and complaints about the difficulties he’s having figuring out what happens next for his characters. The parenting vignettes are funny: “Meanwhile Esther was telling us about a friend from preschool who is named either Lisi or Ilse or Else and either took a toy away from her or gave her one...; little kids are not good storytellers.” The conflicts between the narrator and his wife, Susanna, are less innocent, and they threaten to darken what should be an innocuous chick flick. Then the bad dreams begin, and it’s not long before the line between these night terrors and everyday reality begins to blur. This novel is, in many ways, a classic haunted-house tale. There are warnings about the house from the people in the village below. There’s a creeping sense of horror. There are frightening phenomena that the narrator cannot explain. And there are specters. Kehlmann (F, 2014, etc.) uses all these familiar tropes beautifully. But he also creates a sense of existential dread that transcends the typical ghost story. The relationship between the narrator and his daughter adds a level of anxiety; he has to protect her not just from the house, but also from knowledge of what’s happening. And Kehlmann deserves special notice for recognizing just how uncanny a baby monitor can be.

A book to keep you up at night.

Pub Date: June 13, 2017

ISBN: 978-1-101-87192-8

Page Count: 128

Publisher: Pantheon

Review Posted Online: April 16, 2017

Kirkus Reviews Issue: May 1, 2017

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THE SOUTHERN BOOK CLUB'S GUIDE TO SLAYING VAMPIRES

Fans of smart horror will sink their teeth into this one.

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Things are about to get bloody for a group of Charleston housewives.

In 1988, the scariest thing in former nurse Patricia Campbell’s life is showing up to book club, since she hasn’t read the book. It’s hard to get any reading done between raising two kids, Blue and Korey, picking up after her husband, Carter, a psychiatrist, and taking care of her live-in mother-in-law, Miss Mary, who seems to have dementia. It doesn’t help that the books chosen by the Literary Guild of Mt. Pleasant are just plain boring. But when fellow book-club member Kitty gives Patricia a gloriously trashy true-crime novel, Patricia is instantly hooked, and soon she’s attending a very different kind of book club with Kitty and her friends Grace, Slick, and Maryellen. She has a full plate at home, but Patricia values her new friendships and still longs for a bit of excitement. When James Harris moves in down the street, the women are intrigued. Who is this handsome night owl, and why does Miss Mary insist that she knows him? A series of horrific events stretches Patricia’s nerves and her Southern civility to the breaking point. (A skin-crawling scene involving a horde of rats is a standout.) She just knows James is up to no good, but getting anyone to believe her is a Sisyphean feat. After all, she’s just a housewife. Hendrix juxtaposes the hypnotic mundanity of suburbia (which has a few dark underpinnings of its own) against an insidious evil that has taken root in Patricia’s insular neighborhood. It’s gratifying to see her grow from someone who apologizes for apologizing to a fiercely brave woman determined to do the right thing—hopefully with the help of her friends. Hendrix (We Sold Our Souls, 2018, etc.) cleverly sprinkles in nods to well-established vampire lore, and the fact that he’s a master at conjuring heady 1990s nostalgia is just the icing on what is his best book yet.

Fans of smart horror will sink their teeth into this one.

Pub Date: April 7, 2020

ISBN: 978-1-68369-143-3

Page Count: 400

Publisher: Quirk Books

Review Posted Online: Jan. 12, 2020

Kirkus Reviews Issue: Feb. 1, 2020

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THE INSTITUTE

King fans won’t be disappointed, though most will likely prefer the scarier likes of The Shining and It.

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The master of modern horror returns with a loose-knit parapsychological thriller that touches on territory previously explored in Firestarter and Carrie.

Tim Jamieson is a man emphatically not in a hurry. As King’s (The Outsider, 2018, etc.) latest opens, he’s bargaining with a flight attendant to sell his seat on an overbooked run from Tampa to New York. His pockets full, he sticks out his thumb and winds up in the backwater South Carolina town of DuPray (should we hear echoes of “pray”? Or “depraved”?). Turns out he’s a decorated cop, good at his job and at reading others (“You ought to go see Doc Roper,” he tells a local. “There are pills that will brighten your attitude”). Shift the scene to Minneapolis, where young Luke Ellis, precociously brilliant, has been kidnapped by a crack extraction team, his parents brutally murdered so that it looks as if he did it. Luke is spirited off to Maine—this is King, so it’s got to be Maine—and a secret shadow-government lab where similarly conscripted paranormally blessed kids, psychokinetic and telepathic, are made to endure the Skinnerian pain-and-reward methods of the evil Mrs. Sigsby. How to bring the stories of Tim and Luke together? King has never minded detours into the unlikely, but for this one, disbelief must be extra-willingly suspended. In the end, their forces joined, the two and their redneck allies battle the sophisticated secret agents of The Institute in a bloodbath of flying bullets and beams of mental energy (“You’re in the south now, Annie had told these gunned-up interlopers. She had an idea they were about to find out just how true that was"). It’s not King at his best, but he plays on current themes of conspiracy theory, child abuse, the occult, and Deep State malevolence while getting in digs at the current occupant of the White House, to say nothing of shadowy evil masterminds with lisps.

King fans won’t be disappointed, though most will likely prefer the scarier likes of The Shining and It.

Pub Date: Sept. 10, 2019

ISBN: 978-1-9821-1056-7

Page Count: 576

Publisher: Scribner

Review Posted Online: Aug. 3, 2019

Kirkus Reviews Issue: Aug. 15, 2019

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