A perceptive, gritty portrayal of the frenzy of war and a father and son caught at its tumultuous center.
A gripping history of a family torn apart by political upheaval.
In this fresh contribution to the abundant biographies of Benjamin Franklin and histories of the American Revolution, poet, playwright, and biographer Epstein (The Ballad of Bob Dylan, 2011, etc.) focuses on the relationship between Franklin and his illegitimate son, William, who rose to become a political force in his own right. Epstein’s title refers both to William’s sorely tested loyalty to his father and unwavering loyalty to England as the Colonies erupted in rebellion and violence. Drawing on much unpublished correspondence as well as published works, the author constructs a fast-paced, vivid narrative with a host of characters whose appearance and personality he etches with deft concision. According to a close family friend, Franklin had been the loving, “intimate, and easy companion” of his son when William was a young man. Charming, “handsome, easy-going, more agreeable” than his father, William achieved success that eventually rankled Benjamin. Epstein notes “open, unabashed competition” by the time William was 40 and governor of New Jersey. However, it was not competition that caused their deep rift but rather their immersion in vastly different political worlds: William, in the Colonies, sought to “manage the volatile emotions” of rebellious protesters; Benjamin, in England, saw Parliament as “power-hungry, factious,” and corrupt and urged his countrymen “to stand firm, trusting in their own sense of justice,” even risking “a permanent break from the mother country.” Epstein is sympathetic to William’s desperate desire to quell dissent, actions that led to a year’s imprisonment in a squalid cell while his father basked in the warmth of celebrity in Paris, where he lived a luxurious life in a villa. What did Benjamin know, asks the author, about “that hell on earth,” the “war of desolation, the hangings and rapes and dismemberments,” the 10,000 refugees? Father and son eventually reconciled, but Franklin never really forgave William for what he considered betrayal.
A perceptive, gritty portrayal of the frenzy of war and a father and son caught at its tumultuous center.Pub Date: June 6, 2017
ISBN: 978-0-345-54421-6
Page Count: 464
Publisher: Ballantine
Review Posted Online: March 18, 2017
Kirkus Reviews Issue: April 1, 2017
This autobiography might almost be said to supply the roots to Wright's famous novel, Native Son.
It is a grim record, disturbing, the story of how — in one boy's life — the seeds of hate and distrust and race riots were planted. Wright was born to poverty and hardship in the deep south; his father deserted his mother, and circumstances and illness drove the little family from place to place, from degradation to degradation. And always, there was the thread of fear and hate and suspicion and discrimination — of white set against black — of black set against Jew — of intolerance. Driven to deceit, to dishonesty, ambition thwarted, motives impugned, Wright struggled against the tide, put by a tiny sum to move on, finally got to Chicago, and there — still against odds — pulled himself up, acquired some education through reading, allied himself with the Communists — only to be thrust out for non-conformity — and wrote continually. The whole tragedy of a race seems dramatized in this record; it is virtually unrelieved by any vestige of human tenderness, or humor; there are no bright spots. And yet it rings true. It is an unfinished story of a problem that has still to be met.
Perhaps this will force home unpalatable facts of a submerged minority, a problem far from being faced.
Pub Date: Feb. 28, 1945
ISBN: 0061130249
Page Count: 450
Publisher: N/A
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Feb. 1, 1945
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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