Authoritative introductions contribute to the literary significance of the diaries.



A candid self-portrait of the “bad girl of American letters.”

Biographer Epstein offers a judicious edition of the diaries of Edna St. Vincent Millay (1892-1950), beginning in 1907, when the ebullient teenager felt sometimes overwhelmed with caring for her two younger sisters whenever her mother, a nurse, was called away. “It is very hard to be sixteen,” she confides to her diary, glad to have an outlet for what she calls her “spite.” At 19, fantasizing about a “beloved,” she pours her passion into “Renascence,” which she entered into a poetry contest in May 1912. Accepted for a volume of the winners, “Renascence” was singled out for praise by several reviewers and served to launch Millay’s career. The Poetry Society of America hosted a literary evening in her honor in 1913, when she was a student at Barnard, preparing to enter college. For the 20-year-old poet, New York City was a heady experience, and her diary reflects the excitement of meeting other poets (Sara Teasdale, for one), shopping, walking through Manhattan, and seeing her first opera, Madame Butterfly, at the Metropolitan Opera House. After graduating from Vassar, she traveled to Europe, including Albania, which had just opened to Western tourism. Her vivid entries from that trip, Epstein notes, appear here for the first time. In 1923, Millay married the wealthy Dutch businessman Eugen Boissevain, widower of suffragist Inez Milholland, and soon the couple bought Steepletop, a house in Austerlitz, New York, where Millay lived for the rest of her life. Entries reveal her as impetuous, hardworking, and passionate; friends could irritate as much as please. A lover’s rejection sent her into a depression from which she never recovered. By 1949, when she made her last entry, she had become “a solitary, tragic figure,” suffering from ill health, addiction to alcohol and opiates, and loneliness.

Authoritative introductions contribute to the literary significance of the diaries.

Pub Date: March 8, 2022

ISBN: 978-0-300-24568-4

Page Count: 416

Publisher: Yale Univ.

Review Posted Online: Dec. 22, 2021

Kirkus Reviews Issue: Jan. 15, 2022

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A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

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A former New York City dancer reflects on her zesty heyday in the 1970s.

Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Pub Date: July 12, 2022

ISBN: 978-1-250-27827-2

Page Count: 192

Publisher: St. Martin's

Review Posted Online: July 28, 2022

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A juicy story with some truly crazy moments, yet Anderson's good heart shines through.


The iconic model tells the story of her eventful life.

According to the acknowledgments, this memoir started as "a fifty-page poem and then grew into hundreds of pages of…more poetry." Readers will be glad that Anderson eventually turned to writing prose, since the well-told anecdotes and memorable character sketches are what make it a page-turner. The poetry (more accurately described as italicized notes-to-self with line breaks) remains strewn liberally through the pages, often summarizing the takeaway or the emotional impact of the events described: "I was / and still am / an exceptionally / easy target. / And, / I'm proud of that." This way of expressing herself is part of who she is, formed partly by her passion for Anaïs Nin and other writers; she is a serious maven of literature and the arts. The narrative gets off to a good start with Anderson’s nostalgic memories of her childhood in coastal Vancouver, raised by very young, very wild, and not very competent parents. Here and throughout the book, the author displays a remarkable lack of anger. She has faced abuse and mistreatment of many kinds over the decades, but she touches on the most appalling passages lightly—though not so lightly you don't feel the torment of the media attention on the events leading up to her divorce from Tommy Lee. Her trip to the pages of Playboy, which involved an escape from a violent fiance and sneaking across the border, is one of many jaw-dropping stories. In one interesting passage, Julian Assange's mother counsels Anderson to desexualize her image in order to be taken more seriously as an activist. She decided that “it was too late to turn back now”—that sexy is an inalienable part of who she is. Throughout her account of this kooky, messed-up, enviable, and often thrilling life, her humility (her sons "are true miracles, considering the gene pool") never fails her.

A juicy story with some truly crazy moments, yet Anderson's good heart shines through.

Pub Date: Jan. 31, 2023

ISBN: 9780063226562

Page Count: 256

Publisher: Dey Street/HarperCollins

Review Posted Online: Dec. 6, 2022

Kirkus Reviews Issue: Jan. 1, 2023

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