A perceptive, gritty portrayal of the frenzy of war and a father and son caught at its tumultuous center.

THE LOYAL SON

THE WAR IN BEN FRANKLIN'S HOUSE

A gripping history of a family torn apart by political upheaval.

In this fresh contribution to the abundant biographies of Benjamin Franklin and histories of the American Revolution, poet, playwright, and biographer Epstein (The Ballad of Bob Dylan, 2011, etc.) focuses on the relationship between Franklin and his illegitimate son, William, who rose to become a political force in his own right. Epstein’s title refers both to William’s sorely tested loyalty to his father and unwavering loyalty to England as the Colonies erupted in rebellion and violence. Drawing on much unpublished correspondence as well as published works, the author constructs a fast-paced, vivid narrative with a host of characters whose appearance and personality he etches with deft concision. According to a close family friend, Franklin had been the loving, “intimate, and easy companion” of his son when William was a young man. Charming, “handsome, easy-going, more agreeable” than his father, William achieved success that eventually rankled Benjamin. Epstein notes “open, unabashed competition” by the time William was 40 and governor of New Jersey. However, it was not competition that caused their deep rift but rather their immersion in vastly different political worlds: William, in the Colonies, sought to “manage the volatile emotions” of rebellious protesters; Benjamin, in England, saw Parliament as “power-hungry, factious,” and corrupt and urged his countrymen “to stand firm, trusting in their own sense of justice,” even risking “a permanent break from the mother country.” Epstein is sympathetic to William’s desperate desire to quell dissent, actions that led to a year’s imprisonment in a squalid cell while his father basked in the warmth of celebrity in Paris, where he lived a luxurious life in a villa. What did Benjamin know, asks the author, about “that hell on earth,” the “war of desolation, the hangings and rapes and dismemberments,” the 10,000 refugees? Father and son eventually reconciled, but Franklin never really forgave William for what he considered betrayal.

A perceptive, gritty portrayal of the frenzy of war and a father and son caught at its tumultuous center.

Pub Date: June 6, 2017

ISBN: 978-0-345-54421-6

Page Count: 464

Publisher: Ballantine

Review Posted Online: March 19, 2017

Kirkus Reviews Issue: April 1, 2017

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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