An irresistible amalgam of Kipling, Rider Haggard, and Conrad at their very best. Masterful.
A rattling good story, complex characterizations, and a brilliantly realized portrayal of an alien culture—all combine to dazzling effect in this first by a California medical student who has worked and studied in the Far East.
In mild-mannered London, 1886–87, piano tuner Edgar Drake is persuaded by the British War Office to travel to Mandalay and beyond, during the third of a succession of Anglo-Burmese Wars, to fulfill a strange request from an army surgeon-major serving in Burma. Drake has been chosen to tune an Erard (French-made) grand piano for Dr. Anthony Carroll, a pacifist iconoclast who has set about winning over warring tribes by introducing their souls to music and poetry while healing broken bodies. Reasoning that “if we are to make these people our subjects, must we not present the best of European civilization?,” Drake undertakes his arduous journey (thrillingly described), eventually arriving at the inland fortress of Mae Lwin, where the suave Carroll—part Albert Schweitzer, part Mistah Kurtz of Heart of Darkness—rules as a benevolent despot, aided in ways that aren’t quite clear by a beautiful Burmese woman, Khin Myo, to whom Edgar finds himself increasingly attracted. A wealth of specific information—musical, medical, historical, political—and numerous colorfully detailed vignettes of life in Burma’s teeming cities and jungle villages provide a solid context for the increasingly intricate plot, which brings Drake into “complicity” with Carroll’s visionary dream of reconciling various native factions and brokering a peace that surrenders only “limited autonomy” to them. Until the powerful dénouement, that is, when Drake discovers the manner in which he himself has been “played” as an instrument, and—in a deeply ironic climactic action—becomes the insubordinate “liberator.” (One keeps thinking of what a marvelous movie The Piano Tuner might make. There’s a perfect part for Jeremy Irons.)
An irresistible amalgam of Kipling, Rider Haggard, and Conrad at their very best. Masterful.Pub Date: Sept. 24, 2002
ISBN: 0-375-41465-7
Page Count: 320
Publisher: Knopf
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: July 1, 2002
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A vivid setting and a devious, deadly plot, though the first is a bit overdone and the second contains a few...
In 1956, a pair of college roommates meets again in Tangier, with terrifying results.
“At first, I had told myself that Tangier wouldn’t be so terrible,” says Alice Shipley, a young wife dragged there by her unpleasant husband, John McAllister, who has married her for her money. He vanishes every day into the city, which he adores, while Alice is afraid to go out at all, having once gotten lost in the flea market. Then Lucy Mason, her one-time best friend and roommate at Bennington College, shows up unannounced on her doorstep. “I had never, not once in the many moments that had occurred between the Green Mountains of Vermont and the dusty alleyways of Morocco, expected to see her again.” Alice and Lucy did not part on good terms; there are repeated references to a horrible accident which will remain mysterious for some time. What is clear is that Lucy is romantically obsessed with Alice and that Alice is afraid of her. In chapters that alternate between the two women’s points of view, the past and the present unfold. The two young women bonded quickly at Bennington: though Alice is a wealthy, delicate Brit and Lucy a rough-edged local on scholarship, both are orphans. Or at least Lucy says she is—from the start, there are inconsistencies in her story that put Alice in doubt. And while Alice is so frightened of Tangier that she can’t leave the house, Lucy feels right at home: she finds the maze of souks electrifying, and she quickly learns to enjoy the local custom of drinking scalding hot mint tea in the heat. She makes a friend, a shady local named Joseph, and immediately begins lying to him, introducing herself as Alice Shipley. Something evil this way comes, for sure. Mangan’s debut pays homage to The Talented Mr. Ripley and to the work of Daphne du Maurier and Shirley Jackson.
A vivid setting and a devious, deadly plot, though the first is a bit overdone and the second contains a few head-scratchers, including the evil-lesbian trope. Film rights have already been sold; it will make a good movie.Pub Date: March 27, 2018
ISBN: 978-0-06-268666-4
Page Count: 320
Publisher: Ecco/HarperCollins
Review Posted Online: Dec. 23, 2017
Kirkus Reviews Issue: Jan. 15, 2018
BOOK REVIEW
BOOK REVIEW
Flamboyantly written, if a little too conventionally peopled and plotted.
A treasure hunt leads a young girl to discover her mother’s darkest secret.
In 1936, 9-year-old Alice has been consigned by her mother, Selina Lennox Carew, to the care of her Lennox grandparents at their ancestral stately home, Blackwood Park. The reason for this custodial arrangement is Selina’s trip to Southeast Asia with Alice’s cold, distant father, Rupert, who needs to visit his ruby mines in Burma. Alice is kept abreast of her parents’ travels through her mother’s letters, delivered by longtime family servant Polly. Alice is also directed, by Polly, to discover clues set by her mother, leading the girl on a treasure hunt that helps lift her out of her depression. Alice’s Blackwood sojourn alternates with chapters set in 1925, when young Selina, age 22, is setting the London tabloids ablaze with her antics as one of a cadre of Bright Young People, devil-may-care upper-class flappers and their escorts. But everything changes when, on a madcap treasure hunt of her own, Selina meets Lawrence Weston, a struggling portrait painter and aspiring photographer. The two are drawn inexorably into an affair. Selina's choice of a passionless marriage to Rupert over life with her soul mate, Lawrence, is the fateful decision on which the novel turns, and her rationalizations will be a little too pat to satisfy most readers. Nor will readers be long baffled by Alice’s hunt—given the 1925 backstory, the solution to the puzzle is obvious almost from the start. But genuine surprises do await, even if they entail punishing Selina, after the manner of post-Code Hollywood melodrama, for her breach of class boundaries, disregard for propriety, and unladylike smoking and drinking. The characters verge on stereotypical although there are no true villains and only the domestics lack flaws, particularly Polly and Mr. Patterson, the gardener who introduces Alice to the redemptive joys of nature. However, Grey’s use of sensory detail, enlivening the most mundane of scenes, redeems this novel, too.
Flamboyantly written, if a little too conventionally peopled and plotted.Pub Date: Dec. 10, 2019
ISBN: 978-1-250-06679-4
Page Count: 480
Publisher: Thomas Dunne Books
Review Posted Online: Sept. 14, 2019
Kirkus Reviews Issue: Oct. 1, 2019
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