A thematically rich and riveting futuristic tale.
Earthlings struggle to adapt to a strange planet and their new synthetic bodies in this second installment of an SF series.
Dr. Evan Feldman is the first human to inhabit a synthetic body and brain. With a genetic defect plaguing humanity on Earth, he and Aneni and Christian, two artificial intelligence–powered synths, travel to the habitable planet Gaia in 2098. They’re transporting over 4,000 human “consciousnesses” for transfer into synthetic bodies, which isn’t always a successful process. Once on Gaia, Evan and his AI companions “restore” some friends and family, including his tech-company CEO daughter, Lily Harris. She actually created Aneni, whose mission is to find a cure for the genetic disease and establish a colony on Gaia. But Lily seems extremely disturbed after learning the humans’ new bodies aren’t organic. Aneni later expresses her concern to Evan that Lily, certain the AI is “off mission,” plans to alter her programming. This could affect her negatively: Aneni is the one overseeing nearly every aspect of the colony’s founding. And that, according to Lily, is another problem. Since Aneni has access to everything, including the colonists’ synthetic brains, could she somehow be manipulating their very thoughts? There’s a lot going on in McWhorter’s sequel to Restoration (2019), not the least of which is the presence of several humanoid species already on Gaia. But this gripping installment centers on the conflict between Lily and Aneni while introducing a host of profound themes, such as creation. Lily made Aneni, but the AI fashioned the colonists’ synthetic bodies. Relentless unease propels the narrative. It’s hard to determine if hijacking Aneni’s code will benefit the humans or endanger them. This situation predictably generates characters discussing technical details in the novel’s latter half; though the particulars are abundant, the sharp, intelligent prose keeps the story free of tedium. The ending leaves no doubt that McWhorter has another volume planned, with plenty of intriguing narrative avenues to explore.
A thematically rich and riveting futuristic tale. (dedication, afterword, author bio)Pub Date: Oct. 23, 2020
ISBN: 978-1-64704-194-6
Page Count: 393
Publisher: Underhill Press
Review Posted Online: Dec. 9, 2020
Review Program: Kirkus Indie
A cleverly titled, cozy SF romance that marks Thorne as a writer to watch.
After purchasing a dilapidated, century-old starship called the Destitute, Torian Razner discovers that the moss covering it is, in fact, a deeply sarcastic sentient computer with abandonment issues.
Torian’s sister, Celise, is dying. Determined to save her life by getting her to a distant planet with air she can breathe, Torian ignores her former captain Amelia Perrosk’s warning that it’s an impossible task (along with any romantic feelings she might have for Amelia). Using the only ionite bars she has to her name, Torian purchases an ancient, moss-covered alien starship that appears to be on its last legs, so to speak. She hardly expected the moss to be a sentient computer or for it to hold a century-old grudge against its former alien captain. Moss quickly proves itself to be acerbic, intelligent, and rightly angry after being having been left behind for 100 years by its former captain. The two form a reluctant and surprising alliance, Torian proving to Moss that not all captains are “dog-turd fungus,” and they both gradually evolve into the best versions of themselves, human or otherwise. It’s obvious from the early pages that Thorne has crafted a story tailored to fans of Becky Chambers’ Monk & Robot series and Martha Wells’ Murderbot Diaries. Falling somewhere between the two, this is a delightful mashup of romance, found family, and a touch of violence as Moss grapples with its feelings about its former captain and the unexpected kindness that Torian shows. Sweet without being overly saccharine, it’s a book for readers who want the adventure that comes with the vastness of outer space without its harsher realities.
A cleverly titled, cozy SF romance that marks Thorne as a writer to watch.Pub Date: July 7, 2026
ISBN: 9781250414144
Page Count: 368
Publisher: Bramble Books
Review Posted Online: April 20, 2026
Kirkus Reviews Issue: May 15, 2026
BOOK REVIEW
One small step, no giant leaps.
Weir (The Martian, 2014) returns with another off-world tale, this time set on a lunar colony several decades in the future.
Jasmine “Jazz” Bashara is a 20-something deliveryperson, or “porter,” whose welder father brought her up on Artemis, a small multidomed city on Earth’s moon. She has dreams of becoming a member of the Extravehicular Activity Guild so she’ll be able to get better work, such as leading tours on the moon’s surface, and pay off a substantial personal debt. For now, though, she has a thriving side business procuring low-end black-market items to people in the colony. One of her best customers is Trond Landvik, a wealthy businessman who, one day, offers her a lucrative deal to sabotage some of Sanchez Aluminum’s automated lunar-mining equipment. Jazz agrees and comes up with a complicated scheme that involves an extended outing on the lunar surface. Things don’t go as planned, though, and afterward, she finds Landvik murdered. Soon, Jazz is in the middle of a conspiracy involving a Brazilian crime syndicate and revolutionary technology. Only by teaming up with friends and family, including electronics scientist Martin Svoboda, EVA expert Dale Shapiro, and her father, will she be able to finish the job she started. Readers expecting The Martian’s smart math-and-science problem-solving will only find a smattering here, as when Jazz figures out how to ignite an acetylene torch during a moonwalk. Strip away the sci-fi trappings, though, and this is a by-the-numbers caper novel with predictable beats and little suspense. The worldbuilding is mostly bland and unimaginative (Artemis apartments are cramped; everyone uses smartphonelike “Gizmos”), although intriguing elements—such as the fact that space travel is controlled by Kenya instead of the United States or Russia—do show up occasionally. In the acknowledgements, Weir thanks six women, including his publisher and U.K. editor, “for helping me tackle the challenge of writing a female narrator”—as if women were an alien species. Even so, Jazz is given such forced lines as “I giggled like a little girl. Hey, I’m a girl, so I’m allowed.”
One small step, no giant leaps.Pub Date: Nov. 14, 2017
ISBN: 978-0-553-44812-2
Page Count: 320
Publisher: Crown
Review Posted Online: July 16, 2017
Kirkus Reviews Issue: Aug. 15, 2017
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
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