A thematically rich and riveting futuristic tale.
Earthlings struggle to adapt to a strange planet and their new synthetic bodies in this second installment of an SF series.
Dr. Evan Feldman is the first human to inhabit a synthetic body and brain. With a genetic defect plaguing humanity on Earth, he and Aneni and Christian, two artificial intelligence–powered synths, travel to the habitable planet Gaia in 2098. They’re transporting over 4,000 human “consciousnesses” for transfer into synthetic bodies, which isn’t always a successful process. Once on Gaia, Evan and his AI companions “restore” some friends and family, including his tech-company CEO daughter, Lily Harris. She actually created Aneni, whose mission is to find a cure for the genetic disease and establish a colony on Gaia. But Lily seems extremely disturbed after learning the humans’ new bodies aren’t organic. Aneni later expresses her concern to Evan that Lily, certain the AI is “off mission,” plans to alter her programming. This could affect her negatively: Aneni is the one overseeing nearly every aspect of the colony’s founding. And that, according to Lily, is another problem. Since Aneni has access to everything, including the colonists’ synthetic brains, could she somehow be manipulating their very thoughts? There’s a lot going on in McWhorter’s sequel to Restoration (2019), not the least of which is the presence of several humanoid species already on Gaia. But this gripping installment centers on the conflict between Lily and Aneni while introducing a host of profound themes, such as creation. Lily made Aneni, but the AI fashioned the colonists’ synthetic bodies. Relentless unease propels the narrative. It’s hard to determine if hijacking Aneni’s code will benefit the humans or endanger them. This situation predictably generates characters discussing technical details in the novel’s latter half; though the particulars are abundant, the sharp, intelligent prose keeps the story free of tedium. The ending leaves no doubt that McWhorter has another volume planned, with plenty of intriguing narrative avenues to explore.
A thematically rich and riveting futuristic tale. (dedication, afterword, author bio)Pub Date: Oct. 23, 2020
ISBN: 978-1-64704-194-6
Page Count: 393
Publisher: Underhill Press
Review Posted Online: Dec. 9, 2020
Review Program: Kirkus Indie
A disarmingly heartfelt space adventure that dares to suggest genocide might be a bad business.
When a bunch of corporate assholes mark their planet for destruction, a garage band of colonists must defend their home world with the power of rock.
Slightly sidestepping his frenetic litRPG—literary role-playing game—doorstoppers, here Dinniman takes on capitalism, propaganda, xenophobia, and violence as entertainment. Thankfully for readers, it’s all wrapped in the usual profane, adolescent humor, and SF readers will have a ball. A couple of hundred years after they left Earth, the inhabitants of the interstellar colony of New Sonora weren’t expecting much in the way of new threats, especially after a mysterious illness killed almost everyone between the ages of 30 and 60. That disaster left only the young and the old on the populated planet, where farming is enabled by highly accelerated AI and people are generally cool with each other. But when drummer Oliver Lewis stumbles across a foul-mouthed killer mech piloted by a child, he realizes that something’s definitely fishy. Earth, it seems, has classified the New Sonorans as non-human and scheduled their destruction as a paid, five-day combat game. Apex Industries, led by lead mercenary Eli Opel, has reverse-engineered Ender’s Game and is turning loose its players with real bullets and bombs on the population of New Sonora. The resistance is a weird bunch, led by proto-slacker Oliver; his little sister, Lulu; and his ex-girlfriend, documentary filmmaker and burgeoning revolutionary Rosita Zapatero, as well as the other members of Oliver’s band, the Rhythm Mafia. Thankfully, they also have Roger, the last functioning AI on the planet, though Oliver’s grandfather permanently programmed it to nannybot mode as a dying joke. Call the book overlong—the battle scenes often feel like watching someone play a videogame—but the humor and the execution are cutting without being mean and there’s almost always a point.
A disarmingly heartfelt space adventure that dares to suggest genocide might be a bad business.Pub Date: Feb. 10, 2026
ISBN: 9780593820308
Page Count: 448
Publisher: Ace/Berkley
Review Posted Online: Dec. 12, 2025
Kirkus Reviews Issue: Jan. 15, 2026
Suspenseful, frightening, and sometimes poignant—provided the reader has a generously willing suspension of disbelief.
A man walks out of a bar and his life becomes a kaleidoscope of altered states in this science-fiction thriller.
Crouch opens on a family in a warm, resonant domestic moment with three well-developed characters. At home in Chicago’s Logan Square, Jason Dessen dices an onion while his wife, Daniela, sips wine and chats on the phone. Their son, Charlie, an appealing 15-year-old, sketches on a pad. Still, an undertone of regret hovers over the couple, a preoccupation with roads not taken, a theme the book will literally explore, in multifarious ways. To start, both Jason and Daniela abandoned careers that might have soared, Jason as a physicist, Daniela as an artist. When Charlie was born, he suffered a major illness. Jason was forced to abandon promising research to teach undergraduates at a small college. Daniela turned from having gallery shows to teaching private art lessons to middle school students. On this bracing October evening, Jason visits a local bar to pay homage to Ryan Holder, a former college roommate who just received a major award for his work in neuroscience, an honor that rankles Jason, who, Ryan says, gave up on his career. Smarting from the comment, Jason suffers “a sucker punch” as he heads home that leaves him “standing on the precipice.” From behind Jason, a man with a “ghost white” face, “red, pursed lips," and "horrifying eyes” points a gun at Jason and forces him to drive an SUV, following preset navigational directions. At their destination, the abductor forces Jason to strip naked, beats him, then leads him into a vast, abandoned power plant. Here, Jason meets men and women who insist they want to help him. Attempting to escape, Jason opens a door that leads him into a series of dark, strange, yet eerily familiar encounters that sometimes strain credibility, especially in the tale's final moments.
Suspenseful, frightening, and sometimes poignant—provided the reader has a generously willing suspension of disbelief.Pub Date: July 26, 2016
ISBN: 978-1-101-90422-0
Page Count: 352
Publisher: Crown
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
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