This compact volume offers an aesthetically robust and spiritually poignant reflection on Jewish visitation stones.
In this nonfiction work, Leo, Mendelsohn, and Allen explore traditions of Jewish remembrance in photographs and prose.
You would be forgiven if, looking at Leo’s photographs in this volume, you mistook them for an abstract exercise in geometric form. Printed in black and white with rich contrast, the stones that are their subject have a tendency to morph: The smooth, mottled white of one rock emerges from darkness like an egg; another pebble, reflected in the granite on which it is sitting, smudges and blurs as if seen through water. With a close, insistent gaze trained upon knobbed surfaces, the camera turns crevices and bits of grit into mysterious landscapes, small rocks opening into expansive worlds. The framing essays remind us that these stones are elements in a human narrative. Placed on gravestones, the rocks participate in a long-standing Jewish tradition, marking an act of remembrance and serving as a point of connection to the memories of deceased loved ones. Offering biblical context and philosophical ruminations, the closing essay by Allen suggests that these stones are symbols of permanence, operating as “a material response to that which is no longer a tangible relationship, imprinting the memory of a loved one within us.” But, as Mendelsohn’s opening essay points out, stones can decay as well: “Our desire that the memory of who we once were should endure beyond the natural span of our lives,” the author writes, “is made more poignant by the fact that stone, as hard as it is, can stop ‘signifying’ in the way we had intended.” In this sense, the photographs are themselves an act of commemoration, not only of the human relationships that they represent, but also of these bits of matter at a single moment, not yet changed by wind and rain and time itself.
This compact volume offers an aesthetically robust and spiritually poignant reflection on Jewish visitation stones.Pub Date: April 4, 2023
ISBN: 9781735762982
Page Count: 80
Publisher: MW Publications
Review Posted Online: April 14, 2023
Kirkus Reviews Issue: June 1, 2023
Review Program: Kirkus Indie
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
This a book of earlier, philosophical essays concerned with the essential "absurdity" of life and the concept that- to overcome the strong tendency to suicide in every thoughtful man-one must accept life on its own terms with its values of revolt, liberty and passion. A dreary thesis- derived from and distorting the beliefs of the founders of existentialism, Jaspers, Heldegger and Kierkegaard, etc., the point of view seems peculiarly outmoded. It is based on the experience of war and the resistance, liberally laced with Andre Gide's excessive intellectualism. The younger existentialists such as Sartre and Camus, with their gift for the terse novel or intense drama, seem to have omitted from their philosophy all the deep religiosity which permeates the work of the great existentialist thinkers. This contributes to a basic lack of vitality in themselves, in these essays, and ten years after the war Camus seems unaware that the life force has healed old wounds... Largely for avant garde aesthetes and his special coterie.
Pub Date: Sept. 26, 1955
ISBN: 0679733736
Page Count: 228
Publisher: Knopf
Review Posted Online: Sept. 19, 2011
Kirkus Reviews Issue: Sept. 1, 1955
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