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THIS LIFE AS TOLD BY AN OLD NDN

Smart, funny, heady, thoughtful, literary; this collection can be enjoyed on many levels by many different kinds of people.

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With a beautifully written frame story in the vein of One Thousand and One Nights, The Decameron, and Canterbury Tales, Hansen (Raven’s Spear, 2017, etc.) proves short fiction is a genre in which he shines.

Uncle is a chain-smoking, coffee-swilling, cussing old coot who can weave stories out of smoke rising from an unconscious man. This venerable Native American fashions a series of such tales for a group of children, stitching together the life of Tomtom, the man who lies before him. The Uncle sections are simultaneously humorous, instructive, and world-weary, while the Tomtom stories dance in time, referencing, foreshadowing, and illuminating one another as they construct a biographical and psychological portrait of a mixed-race (Native American and white) young man. The stories range from the Twilight Zone–like “Goat Man,” which mixes teenage ennui with a supernatural hitchhiker, to the laugh-out-loud “The Day I Heard the Bell Ring,” which involves a wild ride on a cooler of beer while slyly alluding to Hansen’s own Tricksters’ War Trilogy. Both the frame (“His words were flecks of gold and smoke that leapt out at the fire before weaving back towards the children’s ears”) and the tales (“they cut away those parts of themselves they do not want. But those parts never go away, hanging from them like dead limbs never to be fully amputated”) are elegantly written and image-filled. Whether Tomtom is wrecking his father’s car and running off to live in a tent or forever swallowing unsaid words of love, each tale abounds with running themes, symbols, and allusions. The ability to see outward from darkness versus the inability to see into darkness, along with the idea of being loved but not wanted, permeates, while the appearances of wasps and butterflies continually portend and color events. The stories Uncle draws out of Tomtom highlight the life of a man in turmoil and just might bring him peace.

Smart, funny, heady, thoughtful, literary; this collection can be enjoyed on many levels by many different kinds of people.

Pub Date: April 1, 2018

ISBN: 978-1-979748-35-3

Page Count: 278

Publisher: CreateSpace

Review Posted Online: July 3, 2018

Kirkus Reviews Issue: Aug. 1, 2018

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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LONESOME DOVE

A NOVEL (SIMON & SCHUSTER CLASSICS)

This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.

Pub Date: June 1, 1985

ISBN: 068487122X

Page Count: 872

Publisher: Simon & Schuster

Review Posted Online: Sept. 30, 2011

Kirkus Reviews Issue: May 15, 1985

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