Pinkwater is in fine satirical form in this hilarious sendup of the diet industry, in which a fat threesome gets revenge after being shipped off to a weight-loss camp. A lecture given on Anti-Fat Day, a local holiday when thin citizens demonstrate their affection for their fat neighbors by hurling doughnuts and screaming insults at them, convinces the parents of Ralph and Sylvia that they must send their overweight children to Camp Noo Yoo so that they can become “all skinny and perfect.” At camp, the fat and once happy siblings dine on carrots, do compulsory aerobics, and attend “Creative Abuse and Motivation classes,” where they are told in vivid, side-splitting detail—“You will lose your job collecting dead skunks for the Fish and Wildlife Service” and “wind up in prison for stealing pumpkin pies”—how horrible their lives will be if they don’t slim down. Fellow camper Mavis, “a little round fatball of fury,” talks them into breaking out and wreaking vengeance on the gaunt and the proud. In the funniest and most pointed part here, the kids decide to give the self-righteous scrawny a taste of their own medicine, skewering them with the kind of insults (“Hey, pipe-cleaner man!”) and unsolicited advice (“You shouldn’t run at your weight . . . You should rest . . . and eat nourishing food”) that fat people routinely endure. In a fun and surprising resolution, the kids learn how to channel their feelings more constructively; finally realizing that creativity is sweeter than revenge. Delicious and nutritious. (Fiction. 8-13)
Pub Date: May 1, 2001
ISBN: 0-439-15527-4
Page Count: 96
Publisher: Scholastic
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 2001
A successful call for creating and imagining, even if the story itself falls short.
In the dystopian, totalitarian world of 2099, 14-year-old Tessa and her family are desperate to solve the mystery of her twin brother Theo’s disappearance.
Tessa is growing up in a time when playgrounds are historical relics, surveillance cameras are everywhere, music is outlawed, and owning books is illegal. Under the absolute rule of Zokiris, the decadeslong leader of her territory, people are heavily controlled. When Theo vanishes under mysterious circumstances and his name is erased from the Territory Statistics list, Tessa’s 135-year-old neighbor, Miriam, gives the family contraband books that become central to figuring out Theo’s whereabouts. Most books have long since been seized and stored away in Building 903; Tessa is intrigued by their presence in her home, while her mother is terrified. Lowry, the acclaimed, award-winning author of The Giver (1993), shines in her creation of uncomfortably believable dystopian societies. Tessa’s painfully limited world is fully imagined, with its own history, laws, and norms. Her relationship with her brother reads as realistic and tender and is crucial to the mystery. Miriam is the most strongly developed character: wise and independent, unafraid and hopeful. While the climb to the book’s climax is captivating, the hurried resolution is disappointing. The powerful messaging around the importance of literature and imagination certainly resonates, however. The main characters present white.
A successful call for creating and imagining, even if the story itself falls short. (Dystopian. 9-12)Pub Date: Sept. 29, 2026
ISBN: 9780063515109
Page Count: 240
Publisher: Clarion/HarperCollins
Review Posted Online: July 6, 2026
Kirkus Reviews Issue: Aug. 1, 2026
An authentic and moving time capsule of middle school angst, trauma, and joy.
Through the author’s own childhood diary entries, a seventh grader details her inner life before and after 9/11.
Alyssa’s diary entries start in September 2000, in the first week of her seventh grade year. She’s 11 and dealing with typical preteen concerns—popularity and anxiety about grades—along with other things more particular to her own life. She’s shuffling between Queens and Manhattan to share time between her divorced parents and struggling with thick facial hair and classmates who make her feel like she’s “not a whole person” due to her mixed White and Puerto Rican heritage. Alyssa is endlessly earnest and awkward as she works up the courage to talk to her crush, Alejandro; gushes about her dreams of becoming a shoe designer; and tries to solve her burgeoning unibrow problem. The diaries also have a darker side, as a sense of impending doom builds as the entries approach 9/11, especially because Alyssa’s father works in finance in the World Trade Center. As a number of the diary entries are taken directly from the author’s originals, they effortlessly capture the loud, confusing feelings middle school brings out. The artwork, in its muted but effective periwinkle tones, lends a satisfying layer to the diary’s accessible and delightful format.
An authentic and moving time capsule of middle school angst, trauma, and joy. (author's note) (Graphic memoir. 8-13)Pub Date: Aug. 17, 2021
ISBN: 978-1-250-77427-9
Page Count: 288
Publisher: Roaring Brook Press
Review Posted Online: June 15, 2021
Kirkus Reviews Issue: July 1, 2021
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