A relatable protagonist, a believable journey of self-discovery, and a wild SF world.
In this SF sequel, a young woman’s belief that superheroes do more harm than good takes a dark turn.
When Alyssa Henson arrives by taxi to the Pacific Coast city of Olympus, where she’s about to start a job as a dental hygienist, she’s annoyed by the reason traffic is at a standstill. Crowds are staring up at the sky, where superheroes Ultra Woman, Mr. Amazing, and Fantastic Man—collectively known as the Terrific Trio—are battling evil unicorns. The sight of a little girl, whose gawking parents are oblivious to their daughter’s precarious perch on a rail overlooking the ocean, just proves Alyssa’s sincere argument that showboating superheroes make the world more perilous, not less. And what if the increase in supervillainy is directly related to the rise of crime fighters with superpowers? (“No weird creatures ever bothered the Earth before superheroes became a thing,” she’s convinced.) Sherrier’s sequel to his creative YA SF novel The Flying Woman (2018) revisits an imaginative world where contemporary city life gets transformed by alternative dimensions and select human beings’ sudden acquisitions of random, unearthly powers. The author’s world is not only outrageously wacky (supervillain powers are reflected in such names as The Candelabra, The Fish Slayer, and The Looking Glass, and an upside-down dimension is peopled by sentient monkeys), but chillingly dark as well. Innocent people are injured and killed during attacks and battles, deliberately and inadvertently, and archsupervillain Doctor Hades’ torture lab is a nightmare. Yet the sequel is also thoughtfully rooted in the realistic emotional journeys of Alyssa and her friends, some of whom have their own secrets. Alyssa’s estrangement from her parents is all too understandable; so is the fact that dreams unrealized have affected her and her best friend, Miranda. When Alyssa’s painful encounter with a zombie unicorn’s horn gives her the potential to eliminate superpowers from both villains and heroes, leading to a disturbing moral dilemma, she must wrestle with what she is in danger of becoming herself. In the end, how Alyssa fares comes in tandem with the explosive disappearance of a few main characters, a welcome hint that there is more to come for the inhabitants of Sherrier’s Olympus and beyond.
A relatable protagonist, a believable journey of self-discovery, and a wild SF world.Pub Date: Feb. 6, 2022
ISBN: 979-8-40144-724-1
Page Count: 362
Publisher: Self
Review Posted Online: April 6, 2022
Kirkus Reviews Issue: June 1, 2022
Review Program: Kirkus Indie
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
A philosophically charged tour de force by one of the best living novelists in English.
A gravely post-apocalyptic tale that blends mystery with the academic novel.
McEwan’s first narrator, Thomas Metcalfe, is one of a vanishing breed, a humanities professor, who on a spring day in 2119, takes a ferry to a mountain hold, the Bodleian Snowdonia Library. The world has been remade by climate change, the subject of a course he teaches, “The Politics and Literature of the Inundation.” Nuclear war has irradiated the planet, while “markets and communities became cellular and self-reliant, as in early medieval times.” Nonetheless, the archipelago that is now Britain has managed to scrape up a little funding for the professor, who is on the trail of a poem, “A Corona for Vivien,” by the eminent poet Francis Blundy. Thanks to the resurrected internet, courtesy of Nigerian scientists, the professor has access to every bit of recorded human knowledge; already overwhelmed by data, scholars “have robbed the past of its privacy.” But McEwan’s great theme is revealed in his book’s title: How do we know what we think we know? Well, says the professor of his quarry, “I know all that they knew—and more, for I know some of their secrets and their futures, and the dates of their deaths.” And yet, and yet: “Corona” has been missing ever since it was read aloud at a small party in 2014, and for reasons that the professor can only guess at, for, as he counsels, “if you want your secrets kept, whisper them into the ear of your dearest, most trusted friend.” And so it is that in Part 2, where Vivien takes over the story as it unfolds a century earlier, a great and utterly unexpected secret is revealed about how the poem came to be and to disappear, lost to history and memory and the coppers.
A philosophically charged tour de force by one of the best living novelists in English.Pub Date: Sept. 23, 2025
ISBN: 9780593804728
Page Count: 320
Publisher: Knopf
Review Posted Online: May 24, 2025
Kirkus Reviews Issue: July 1, 2025
PERSPECTIVES
PERSPECTIVES
PERSPECTIVES
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