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BORN ON A BLUE DAY

INSIDE THE EXTRAORDINARY MIND OF AN AUTISTIC SAVANT

Transcends the disability-memoir genre.

A riveting account of living with autism.

Tammet, a 27-year-old Brit, is a highly functional autistic individual and something of a genius when it comes to numbers—he’s a terrific chess player and knows over 22,000 digits of pi. Here, he chronicles his often confusing childhood and his successful adult life. As a schoolboy, he felt isolated: Autistic children tend toward literalism, and they have a difficult time catching unstated nuances in speech. And so, when teachers or friends spoke to Tammet but failed to ask him a direct question, he didn’t realize he was supposed to respond. Although, as the author explains, autistic people tend not to catch on to emotional undercurrents, Tammet is quite attentive to the stresses and strains in his childhood home: His father had a nervous breakdown and there was never enough money (Tammet experienced his parents’ fights as a color—blue). Turning to adolescence and his early 20s, Tammet recalls coming out as gay, but he doesn’t allow sexuality to take over the book. Perhaps the most affecting chapters come near the end, as the author describes the quiet comfort he has achieved with his partner, Neil. In the predictable order of their shared home, Tammet feels “calm…and secure.” Tammet usefully sets his own story in a wider context, with period discussions of the state of research into autism and Asperger’s syndrome. At times, he is quite poetic, especially when he writes about numbers. In his mind, numbers have shape, color and texture. Describing his occasional nighttime visions of numbers, Tammet explains that “walking around my numerical landscapes…I never feel lost, because the prime number shapes act as signposts.”

Transcends the disability-memoir genre.

Pub Date: Jan. 9, 2007

ISBN: 1-4165-3507-1

Page Count: 240

Publisher: Free Press

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 2006

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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I AM OZZY

An autobiography as toxic and addictive as any drug its author has ever ingested.

The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.

Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.

An autobiography as toxic and addictive as any drug its author has ever ingested.

Pub Date: Jan. 25, 2010

ISBN: 978-0-446-56989-7

Page Count: 320

Publisher: Grand Central Publishing

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2009

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