At turns thrilling and poignant, this is fine, thoughtful entertainment.
A moving neonoir cruise through Los Angeles, past and present.
Aspiring songwriter Adam Zantz, a Lyft driver, has been shepherding aged folk/pop icon Annie Linden around the city for months, gradually growing attached to the near recluse and enjoying the magnetism of her fame, her complex personality, the way she gives meaning to his down-at-heels life. When she’s found dead in a muddy ditch on Hermosa Beach with, of all things, ripped-out cassette tape entangling her neck, the police finger Annie’s personal assistant, a guy Adam knows couldn’t be the murderer. So, lacking the necessary set of skills almost entirely, he nonetheless decides to play detective and solve the crime himself. Behind the wheel of his beloved silver 2016 Jetta, his home away from home (his actual home, sadly, is a storage space), he creeps and speeds by turn through the streets of Malibu, West Adams, and the Valley, casing joints, interviewing suspicious friends and family, earning some socks on the jaw and even occasional gunfire for his pains. All he has to go on is the existence of a certain mystery tape and the shadow of a stranger from Annie’s dark past; all he has to encourage him is a deepening, post-mortem devotion to this star who felt like the mother he lost. Adrift within the LA worlds of yoga, hot tub sales, and the music convention industry, Adam in time realizes his white-knight derring-do is a sad distraction from an emotional whirlpool that, though drawing him downward to the truth of Annie’s life, also threatens to submerge him in a Pacific Ocean of amateur-gumshoe consequences. Like, say, jail time or even death. In hard-boiled language with an added layer of humor and psychological insight, Weizmann tells a tale reliant on the thrill, and pathos, of popular music. Adam’s quest for truth and justice is permeated by the constant soundtrack inside his head as he moves among Weizmann’s wonderfully drawn cross-section of LA types with pluck and determination, a reluctant though willing Sam Spade for the sensitive slacker in us all.
At turns thrilling and poignant, this is fine, thoughtful entertainment.Pub Date: May 23, 2023
ISBN: 9781685890308
Page Count: 336
Publisher: Melville House
Review Posted Online: March 13, 2023
Kirkus Reviews Issue: April 1, 2023
BOOK REVIEW
This thriller’s eerie mood is deflated by a plot with more holes than a Halloween sheet.
Could making a movie about the disappearance of five women from an island reawaken an evil presence there?
Five dresses hang from the topmost limbs of an oak on a remote island in a Vermont lake. That memorable image marks a mystery from a century ago, when five women believed to have been part of a commune vanished forever. As this novel opens, another group gathers on the island to make a movie based on that tale. Marin Keane, the narrator, is surprised but thrilled to find herself cast as one of the leads; she’s a struggling actor whose biggest part so far has been “Bridesmaid with Eczema” in a drug commercial, so playing Daisy Rue, whose haunting diary is the basis for the movie’s script, could be a career-making move. Ronan Peters, the writer-director, is talented and, Marin notes, hot. His reason for gathering the cast on the island is a kind of boot-camp rehearsal: They’ll spend a week living there, wearing period clothes, and managing without internet or phone service. Oh, and holding séances. What could go wrong? Marin quickly meets the other women in the cast: regal character actor Julianne Brown, cool and competent Heather Benchley, bratty former Disney star Susie Hutchinson, and, striking awe in all of them, Violet Wright, a much-awarded Meryl Streep-ish figure who will play the woman who brought the others to the island, which she owned. They get to work, but soon enough someone disappears. The book’s plot, like the movie’s script, largely follows Daisy’s journal, and since the reader is supplied with pages-long sections of that journal, there’s not much suspense about what will happen next. There are some effective set pieces, such as the group’s first séance. But in its last quarter, the plot collapses into a muddle of #MeToo vengeance, improbable secrets, and jarring character reveals that is, as Marin says, “the most Scooby-Doo thing I’ve ever heard.”
This thriller’s eerie mood is deflated by a plot with more holes than a Halloween sheet.Pub Date: Aug. 4, 2026
ISBN: 9798217044092
Page Count: 368
Publisher: Dutton
Review Posted Online: June 1, 2026
Kirkus Reviews Issue: July 1, 2026
Trust no one in this over-the-top tale of deception and revenge.
Dead bodies turn up in the first sentence of the prologue in McFadden’s latest domestic thriller.
The mystery of who died is at the pulsating heart of this propulsive tale. As Chapter 1 begins, Naomi arrives home to find the locks changed on the front door of the gorgeous home she shares with her husband, Jeremy, and their 5-year-old son, Teddy. Jeremy steps out the front door and convinces Naomi to move out while he has their home renovated, a plan Naomi knows nothing about. It’s all a ruse, though, as the next day Jeremy tells her he wants a divorce. Naomi is shellshocked and soon discovers that Jeremy is having an affair with Veronica, a beautiful younger woman. What seems at first like a stereotypical story about a man who leaves his wife turns into something else when Naomi decides she’ll do anything to get Veronica away from Jeremy and Teddy, and Veronica decides to fight for what she thinks she deserves. Fans of stalker novels will cringe with delight as creepy things start to happen. Teddy’s stuffed elephant, a gift from Veronica, is found impaled on a kitchen knife; Naomi suspects Jeremy is gaslighting her and that Veronica tried to poison her. A weird confrontation among Jeremy, Veronica, and Naomi at Teddy’s birthday party, to which Naomi shows up uninvited, is priceless. There are three main characters, and any or all of them may be unreliable narrators. Packing the plot with dark, gasp-inducing twists, McFadden outdoes herself in a story about how highly emotional people engage in risky behavior to get what they want—but in this novel, for better or worse, not everyone will survive.
Trust no one in this over-the-top tale of deception and revenge.Pub Date: May 26, 2026
ISBN: 9781464249631
Page Count: 368
Publisher: Poisoned Pen
Review Posted Online: April 20, 2026
Kirkus Reviews Issue: May 15, 2026
BOOK TO SCREEN
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
